"Ockeghem: Missa pro Defunctis: II. Kyrie" by Johannes Ockeghem, The Hilliard Ensemble, Paul Hillier was released on 1985. With this song being about 5 minutes long, at 4:37, "Ockeghem: Missa pro Defunctis: II. Kyrie" by Johannes Ockeghem, The Hilliard Ensemble, Paul Hillier is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "Ockeghem - Requiem (Missa Pro Defunctis) & Missa Mi Mi (Missa Quarti Toni)". In this album, this song's track order is #2. Ockeghem: Missa pro Defunctis: II. Kyrie is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ockeghem: Missa pro Defunctis: II. Kyrie by Johannes Ockeghem, The Hilliard Ensemble, Paul Hillier having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass For Four Voices: 2. Credo | Thomas Tallis, The Hilliard Ensemble | C Major | 2 | 8B | 80 BPM | ||
Officium defunctorum: Parce mihi Domine: Parce mihi Domine | Cristobal de Morales, The Monteverdi Choir, John Eliot Gardiner | B♭ Major | 0 | 6B | 66 BPM | ||
Allegri: Miserere - 11. Tunc Acceptabis | The Tallis Scholars, Peter Phillips | G Minor | 0 | 6A | 89 BPM | ||
O Mors Illa | Girolamo Frescobaldi, Adrian Lucas, George Guest | G Minor | 1 | 6A | 81 BPM | ||
Beata viscera | Jan Garbarek, Pérotin, The Hilliard Ensemble | G Major | 0 | 9B | 138 BPM | ||
Schütz: St Matthew Passion, SWV 479: "Da sie ihn aber gekreuziget hatten" | Heinrich Schütz, The Hilliard Ensemble, Paul Hillier | D Minor | 1 | 7A | 109 BPM | ||
Sanctus | Paul Hillier, The Hilliard Ensemble | C Major | 2 | 8B | 85 BPM | ||
the little match girl passion: it was terribly cold | David Lang, Theatre Of Voices, Paul Hillier | F Minor | 0 | 4A | 131 BPM | ||
Innsbruck, ich muss dich lassen | Heinrich Isaac, Capilla Flamenca | F Major | 0 | 7B | 94 BPM | ||
Nella partita | Francesco Landini, Anonymous 4 | A Major | 0 | 11B | 114 BPM |
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