Sonata for Traverso & Harpsichord in G Major, Wq. 150: II. Adagio
Carl Philipp Emanuel Bach, Karel Valter, Hadrien Jourdan
C.P.E. Bach: Sonatas for Traverso & Harpsichord
5:25 January 20, 2023
BPM
82
Key
E♭ Minor
Camelot
2A

Embed

Share Link

Sonata for Traverso & Harpsichord in G Major, Wq. 150: II. Adagio - Carl Philipp Emanuel Bach, Karel Valter, Hadrien Jourdan Information

Acousticness
99%
Danceability
25%
Energy
3%
Instrumentalness
92%
Liveness
10%
Loudness
62%
Speechiness
4%
Valence
16%
Popularity
Loudness
-22.646 dB

Summary

"Sonata for Traverso & Harpsichord in G Major, Wq. 150: II. Adagio" by Carl Philipp Emanuel Bach, Karel Valter, Hadrien Jourdan was released on January 20, 2023. With this song being about 5 minutes long, at 5:25, "Sonata for Traverso & Harpsichord in G Major, Wq. 150: II. Adagio" by Carl Philipp Emanuel Bach, Karel Valter, Hadrien Jourdan is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 17 in C.P.E. Bach: Sonatas for Traverso & Harpsichord by Carl Philipp Emanuel Bach, Karel Valter, Hadrien Jourdan. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Sonata for Traverso & Harpsichord in G Major, Wq. 150: II. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Sonata for Traverso & Harpsichord in G Major, Wq. 150: II. Adagio BPM

The tempo marking of Sonata for Traverso & Harpsichord in G Major, Wq. 150: II. Adagio by Carl Philipp Emanuel Bach, Karel Valter, Hadrien Jourdan is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Sonata for Traverso & Harpsichord in G Major, Wq. 150: II. Adagio Key

E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: Lied ohne Worte (Song without Words) No. 6 in G Minor, Op. 19, No. 6, Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: Lied ohne Worte (Song without Words) No. 6 in G Minor, Op. 19, No. 6, "Venezianisches Gondellied" (Venetian Gondola Song)Felix Mendelssohn, Péter NagyG Minor06A72 BPM
Carmen Variations by Vladimir HorowitzCarmen VariationsVladimir HorowitzE Major212B148 BPM
8 Pièces brèves, Op. 84: No. 5, Improvisation in C-Sharp Minor by Gabriel Fauré, Christine Croshaw8 Pièces brèves, Op. 84: No. 5, Improvisation in C-Sharp MinorGabriel Fauré, Christine CroshawF♯ Minor011A70 BPM
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : III. Allegro by Cologne Chamber Orchestra, Lucas Barr, Renee Ohldin, Christine Pichlmeier, Corinne Chapelle, Antonio VivaldiConcerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : III. AllegroCologne Chamber Orchestra, Lucas Barr, Renee Ohldin, Christine Pichlmeier, Corinne Chapelle, Antonio VivaldiB Minor310A123 BPM
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] by Seattle Symphony Orchestra, Robert Schumann, Gerard SchwarzEtudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra]Seattle Symphony Orchestra, Robert Schumann, Gerard SchwarzA Minor08A70 BPM
Bagatelle No. 25 in A Minor, Bagatelle No. 25 in A Minor, "Für Elise", WoO 59Lang LangA Minor08A133 BPM
Rhapsodie Orientale, Op. 29: 1. Andante by Alexander Glazunov, Orchestre Symphonique de Montréal, Charles DutoitRhapsodie Orientale, Op. 29: 1. AndanteAlexander Glazunov, Orchestre Symphonique de Montréal, Charles DutoitD♭ Major03B89 BPM
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship by Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio TorinoShéhérazade, Op. 35: I. The Sea and Sinbad's ShipNikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio TorinoE Major112B136 BPM
Lied ohne Worte in F-Sharp Minor, Op. 67/2 by Felix Mendelssohn, Khatia BuniatishviliLied ohne Worte in F-Sharp Minor, Op. 67/2Felix Mendelssohn, Khatia BuniatishviliF♯ Minor111A75 BPM
Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace by Antonín Dvořák, Los Angeles Philharmonic, Gustavo DudamelSymphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivaceAntonín Dvořák, Los Angeles Philharmonic, Gustavo DudamelC Major18B127 BPM
ISRC
DEFG22362305
Label
L-M Records/RCA Records

Section: 0.6707329750061035

End: 0.6748437881469727