"Romeo and Juliet: Montagues and Capulets (Dance of the Knights)" by Riccardo Muti was released on March 3, 2003. With this song being about 5 minutes long, at 5:17, "Romeo and Juliet: Montagues and Capulets (Dance of the Knights)" by Riccardo Muti is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 16 in the song's album "Romeo & Juliet-Ballet Suites 1/2-Pini Di Roma". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Romeo and Juliet: Montagues and Capulets (Dance of the Knights) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Romeo and Juliet: Montagues and Capulets (Dance of the Knights) by Riccardo Muti having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in G Minor. Allegro (Orch. Schmeling) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | G Minor | 2 | 6A | 145 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 1 (orch. J. Brahms) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | G Minor | 2 | 6A | 135 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Barcarolle | London Philharmonic Orchestra | D Major | 1 | 10B | 80 BPM | ||
Leichtes Blut, Polka schnell, Op. 319 | Johann Strauss II, Riccardo Muti, Wiener Philharmoniker | G Minor | 5 | 6A | 89 BPM | ||
España - Rhapsody For Orchestra | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | F Major | 3 | 7B | 129 BPM | ||
Mefistofele: Prologue - Salmodia Finale - Salve Regina! | Arrigo Boito, Riccardo Muti | A Major | 2 | 11B | 104 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso | D Major | 0 | 10B | 121 BPM |
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