- BPM
- 111
- Key
- C Minor
- Camelot
- 5A
Fugue pour le concours d'essai, Prix de Rome Competition (incomplete) (1883) (arr. N. Ogawa for piano) - Noriko Ogawa, Claude Debussy Information
- Acousticness
- 100%
- Danceability
- 50%
- Energy
- 8%
- Instrumentalness
- 88%
- Liveness
- 11%
- Loudness
- 53%
- Speechiness
- 4%
- Valence
- 46%
- Popularity
- 8%
- Loudness
- -28.155 dB
Summary
Noriko Ogawa, Claude Debussy made "Fugue pour le concours d'essai, Prix de Rome Competition (incomplete) (1883) (arr. N. Ogawa for piano)" available on February 7, 2012. The duration of Fugue pour le concours d'essai, Prix de Rome Competition (incomplete) (1883) (arr. N. Ogawa for piano) is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Fugue pour le concours d'essai, Prix de Rome Competition (incomplete) (1883) (arr. N. Ogawa for piano)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 101 in Debussy: The Solo Piano Works by Claude Debussy, Noriko Ogawa, Lan Shui. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. In terms of popularity, Fugue pour le concours d'essai, Prix de Rome Competition (incomplete) (1883) (arr. N. Ogawa for piano) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Fugue pour le concours d'essai, Prix de Rome Competition (incomplete) (1883) (arr. N. Ogawa for piano) BPM
The tempo marking of Fugue pour le concours d'essai, Prix de Rome Competition (incomplete) (1883) (arr. N. Ogawa for piano) by Noriko Ogawa, Claude Debussy is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
Fugue pour le concours d'essai, Prix de Rome Competition (incomplete) (1883) (arr. N. Ogawa for piano) Key
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Etude In C Minor Op. 25 No. 12 | Vladimir Horowitz | F Minor | 2 | 4A | 73 BPM | |
 | The Seasons, Op. 37a: VI. June. Barcarolle | Pyotr Ilyich Tchaikovsky, Yuan Sheng | F Minor | 0 | 4A | 77 BPM | |
 | Nocturne No. 18 In E Major, 'Midi' | Benjamin Frith, John Field | E Major | 0 | 12B | 97 BPM | |
 | Verklarte Nacht (Transfigured Night), Op. 4: Sehr langsam - | Arnold Schoenberg, Fred Sherry String Sextet | C Minor | 1 | 5A | 59 BPM | |
 | 5 Pieces, Op. 75, "The Trees": No. 1 Nar ronnen blommar (When the Rowan Blossoms) | Jean Sibelius, Håvard Gimse | E♭ Major | 0 | 5B | 75 BPM | |
 | Elgar: Variations on an Original Theme, Op. 36, "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Minor | 1 | 6A | 178 BPM | |
 | Tristan & Isolde: Einleitung | Richard Wagner, Edo de Waart | C Major | 0 | 8B | 82 BPM | |
 | Boris Godunov: Coronation Scene | Modest Mussorgsky, Noriko Ogawa | E♭ Major | 1 | 5B | 141 BPM | |
 | Respighi Notturno | Roberto Plano | F♯ Major | 0 | 2B | 62 BPM | |
 | Children's Corner: IV. The Snow is Dancing | Claude Debussy, Noriko Ogawa | F Minor | 1 | 4A | 104 BPM |
- ISRC
- SEAET1155050
- Label
- L-M Records/RCA Records
Section: 0.6695423126220703
End: 0.6736807823181152