"The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation VI: Violas (Meno mosso)" by Benjamin Britten, Eugene Ormandy, Philadelphia Orchestra was released on May 2, 1978. With The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation VI: Violas (Meno mosso) being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 25 out of 41 in David Bowie narrates Prokofiev's Peter and the Wolf & The Young Person's Guide to the Orchestra by David Bowie, Eugene Ormandy. The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation VI: Violas (Meno mosso) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Young Person's Guide to the Orchestra, Op. 34 (Variations and Fugue on a Theme of Purcell): Variation VI: Violas (Meno mosso) by Benjamin Britten, Eugene Ormandy, Philadelphia Orchestra is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peter and the Wolf, Op. 67 (Remastered): The Bird Diverts the Wolf | Sergei Prokofiev, Eugene Ormandy, Philadelphia Orchestra | C Major | 2 | 8B | 134 BPM | ||
Cello Concerto No. 1 in G Minor, Op. 49: II. Largo, molto espressivo | Dmitry Kabalevsky, Eugene Ormandy, Philadelphia Orchestra | B Major | 1 | 1B | 89 BPM | ||
Printemps (arr. H. Busser for orchestra): I. Tres modere | Claude Debussy, Henri Büsser, Orchestre National De Lyon, Jun Markl | A♭ Minor | 1 | 1A | 96 BPM | ||
Don Quixote, Op. 35: The Adventure with the Procession of Penitents - Variation IV | Richard Strauss, Fritz Reiner | G Major | 2 | 9B | 88 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act I: No. 6, Pas d'action. Andantino, quasi moderato - Allegro | Pyotr Ilyich Tchaikovsky, Wolfgang Sawallisch, Philadelphia Orchestra | E Major | 1 | 12B | 86 BPM | ||
Music for Strings, Percussion and Celesta, BB 114 (Sz. 106): I. Andante tranquillo | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Minor | 1 | 7A | 109 BPM | ||
Winnie's Lament | John Debney | F Major | 0 | 7B | 54 BPM | ||
Cancan from Gaîté Parisienne | Philadelphia Orchestra | D Major | 8 | 10B | 82 BPM | ||
Symphony No. 6 in F, Op.68 'Pastoral': V. Allegretto (Shepherds' Hymn) | Philadelphia Orchestra, Riccardo Muti | C Major | 1 | 8B | 73 BPM | ||
Valses nobles et sentimentales, M.61: 2. Assez lent - avec une expression intense | Maurice Ravel, Boston Symphony Orchestra, Seiji Ozawa | G Minor | 0 | 6A | 81 BPM |
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