Alessandro Scarlatti, Francesco Scarlatti, {oh!} Orkiestra Historyczna, Martyna Pastuszka's 'Concerto grosso No. 8 in F Major: II. Largo - [Allegro]' came out on June 14, 2019. The duration of Concerto grosso No. 8 in F Major: II. Largo - [Allegro] is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Concerto grosso No. 8 in F Major: II. Largo - [Allegro]'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 32 in Concerto grosso - Émigré to the British Isles by {oh!} Orkiestra Historyczna, Martyna Pastuszka. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. Based on our statistics, Concerto grosso No. 8 in F Major: II. Largo - [Allegro]'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto grosso No. 8 in F Major: II. Largo - [Allegro] by Alessandro Scarlatti, Francesco Scarlatti, {oh!} Orkiestra Historyczna, Martyna Pastuszka is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Correnti e balletti, Op. 4: No. 33, Ciaconna | Maurizio Cazzati, London Baroque | D♭ Major | 3 | 3B | 96 BPM | ||
Mystery (Rosary) Passacaglia in G Minor | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen | F♯ Minor | 0 | 11A | 171 BPM | ||
Oboe Concerto In D Minor: 1. Andante e spiccato | Alessandro Marcello, Heinz Holliger, I Musici | D Minor | 1 | 7A | 144 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Dixit Dominus, ZWV 66: Judicabit - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | F♯ Minor | 3 | 11A | 121 BPM | ||
Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 4. Arie: Ei! wie smeckt Coffee süße | Johann Sebastian Bach, Emma Kirkby, Lisa Beznosiuk, Academy of Ancient Music, Christopher Hogwood | B♭ Minor | 1 | 3A | 66 BPM | ||
Circe, Z. 575: Magicians' Dance | Henry Purcell, Giles Tomkins, Brian Duyn, Peter Mahon, Neil Aronoff, Nicole Bower, Roz McArthur, Aradia Ensemble, Kevin Mallon | A Major | 0 | 11B | 113 BPM | ||
Scarlatti, A: La Santissima Trinità, Pt. 1: No. 28, Duetto. "Quanto invidio i tuoi contenti" (Fede, Amor divino) | Alessandro Scarlatti, Fabio Biondi, Europa Galante, Roberta Invernizzi, Véronique Gens | D♭ Major | 3 | 3B | 135 BPM | ||
Le bourgeois gentilhomme: Chaconne | Jean-Baptiste Lully, Emanuela Galli, Yetzabel Arias Fernandez, La Risonanza, Fabio Bonizzoni | C Major | 2 | 8B | 90 BPM | ||
La Giuditta: Part I: Sinfonia | Alessandro Scarlatti, Sophie Landy, Raphael Pichon, Carl Ghazarossian, Ensemble Baroque de Nice, Gilbert Bezzina | B Major | 5 | 1B | 112 BPM |
Section: 0.6562950611114502
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