"Alexander Nevsky, Op. 78: V. The Battle On Ice" by Sergei Prokofiev, London Symphony Orchestra, Claudio Abbado, London Symphony Chorus was released on January 1, 1995. Alexander Nevsky, Op. 78: V. The Battle On Ice appears to be safe for all ages as it is not explicit. There are a total of 16 in the song's album "Prokofiev: Alexander Nevsky; Scythian Suite; Lieutenant Kijé". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. In terms of popularity, Alexander Nevsky, Op. 78: V. The Battle On Ice is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Alexander Nevsky, Op. 78: V. The Battle On Ice by Sergei Prokofiev, London Symphony Orchestra, Claudio Abbado, London Symphony Chorus having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | E♭ Major | 1 | 5B | 70 BPM | ||
Carmina Burana: Fortuna imperatrix mundi: O Fortuna | Carl Orff, Eduardo Mata, London Symphony Orchestra | D Minor | 0 | 7A | 121 BPM | ||
Symphony No.7 in A, Op.92: 3. Presto - Assai meno presto | Ludwig van Beethoven, London Symphony Orchestra, Antal Doráti | D Major | 3 | 10B | 67 BPM | ||
The Banks of Green Willow | George Butterworth, Richard Hickox, London Symphony Orchestra | E Minor | 0 | 9A | 84 BPM | ||
Dance of the goblins | Antonio Bazzini, Razvan Stoica | C Major | 4 | 8B | 177 BPM | ||
Respighi: Pini di Roma, P. 141: IV. I pini della Via Appia | Ottorino Respighi, Riccardo Muti, Philadelphia Orchestra | B Major | 2 | 1B | 87 BPM | ||
Symphony No. 7 in A Major, Op. 92: II. Allegretto | Ludwig van Beethoven, Berliner Philharmoniker, Kirill Petrenko | E Minor | 0 | 9A | 68 BPM | ||
The Planets, Op. 32: VI. Uranus, the Magician | Gustav Holst, London Symphony Orchestra, Sir Colin Davis | C Major | 2 | 8B | 115 BPM | ||
Images For Orchestra, L. 122 / 2. Ibéria: 1. Par les rues et par les chemins | Claude Debussy, London Symphony Orchestra, Pierre Monteux | F Minor | 1 | 4A | 79 BPM | ||
Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 1: No. 3, The Street awakens | Sergei Prokofiev, André Previn, London Symphony Orchestra | D Major | 0 | 10B | 121 BPM |
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