"Präludium Und Fuge In C Minor, BWV 546: II. Fuge" by Ton Koopman was released on February 6, 1988. Since Präludium Und Fuge In C Minor, BWV 546: II. Fuge is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 12 out of 12 in Bach: Orgelwerke II (Organ Works II) by Ton Koopman. Based on our statistics, Präludium Und Fuge In C Minor, BWV 546: II. Fuge's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Präludium Und Fuge In C Minor, BWV 546: II. Fuge by Ton Koopman is Allegro (fast, quick, and bright), since this song has a tempo of 141 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dixit Dominus, HWV 232: Tu es sacerdos in aeternum | George Frideric Handel, The Sixteen, Harry Christophers | A Major | 2 | 11B | 67 BPM | ||
Concerto in C Major for Two Oboes and Strings, Op. 7 No. 2: I. Allegro | Tomaso Albinoni, Stefan Schilli, Giovanni Deangeli, Stuttgart Kammerorchester, Nicol Matt | C Major | 3 | 8B | 105 BPM | ||
Stabat Mater pour dix voix et basse continue: VIII. Inflammatus et accensus | Domenico Scarlatti, Vox Luminis, Lionel Meunier | F♯ Major | 1 | 2B | 169 BPM | ||
"Nach dir, Herr, verlanget mich" BWV 150: Coro: "Meine Tage in dem Leide" | Johann Sebastian Bach, Ton Koopman, Anne Grimm, Peter de Groot, Joost van der Linden, Donald Bentvelsen | G Minor | 1 | 6A | 115 BPM | ||
Badinerie (Orchestral Suite No. 2 in B Minor, BWV1067) | Craig Ogden, Gareth Davies | B Minor | 3 | 10A | 123 BPM | ||
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 11, Rezitativ. "Er antwortete und sprach" | Johann Sebastian Bach, Ton Koopman, Guy de Mey, Klaus Mertens, Peter Kooij, Amsterdam Baroque Orchestra | E Major | 1 | 12B | 119 BPM | ||
Trio Sonata in G Minor, Op. 6 No. 7: II. Allemanda. Allegro | Francesco Antonio Bonporti, London Baroque | F♯ Minor | 2 | 11A | 108 BPM | ||
Flute Sonata in E Flat, BWV 1031 (doubtful): II. Siciliano | Lionel Rogg, Michel Debost | G Minor | 1 | 6A | 93 BPM | ||
Magnificat, W. E22: Et misericordia eius (Chorus) | Johann Christian Bach, Elisabeth Scholl, Ruth Sandhoff, Andreas Karasiak, Gotthold Schwarz, Dresden Chamber Choir, La Stagione Frankfurt, Michael Schneider | B Major | 3 | 1B | 64 BPM | ||
Bach, CPE: Flute Concerto in D Minor, Wq. 22: II. Un poco andante | Carl Philipp Emanuel Bach, Konrad Hünteler, Amsterdam Baroque Orchestra, Ton Koopman | F♯ Major | 1 | 2B | 133 BPM |
Section: 0.6372814178466797
End: 0.6479477882385254