Eteri Lamoris's 'Alleluja (Exsultate, jubilate)' came out on August 23, 2006. The duration of Alleluja (Exsultate, jubilate) is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Alleluja (Exsultate, jubilate)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Virtuosissimo by Eteri Lamoris. The song's track number on the album is #6 out of 15 tracks. Based on our data, Austria was the country where this track was produced or recorded. In terms of popularity, Alleluja (Exsultate, jubilate) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Alleluja (Exsultate, jubilate) by Eteri Lamoris has a tempo of 116 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Alleluja (Exsultate, jubilate) being at 116 BPM, the half-time would be 58 BPM with a double-time of 232 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chorus Of The Warriors (Norma) | Vincenzo Bellini, Choir and Orchestra of the Budapest State Opera | F Major | 0 | 7B | 95 BPM | ||
Chopin: Waltz No. 6 in D-Flat Major, Op. 64 No. 1 "Minute" | Frédéric Chopin, Dmitri Alexeev | B♭ Major | 2 | 6B | 81 BPM | ||
Perpetuum Mobile, Op. 257 | Johann Strauss II, Carl Michalski, Vienna Volksoper Orchestra | E♭ Major | 2 | 5B | 157 BPM | ||
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM | ||
Tristan und Isolde (1988 Digital Remaster), Act III, Scene III: Mild und leise wie er lächelt (Isoldes Liebestod) | Helga Dernesch, Berliner Philharmoniker, Herbert von Karajan | B Major | 2 | 1B | 176 BPM | ||
Carmina Burana / 2. In Taberna: "Olim lacus colueram" | Carl Orff, Louis Devos, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti | G Major | 1 | 9B | 172 BPM | ||
The Magic Flute, K. 620: Act I, No.3. Aria: "Dies Bildnis ist bezaubernd schön" | Rundfunkorchester des Südwestfunks Baden-Baden | E♭ Major | 2 | 5B | 169 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 2: Euch werde Lohn in bessern Welten | Ludwig van Beethoven, Jonas Kaufmann, Nina Stemme, Christof Fischesser, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Minor | 7 | 9A | 98 BPM | ||
Lehar: Die lustige Witwe, IFL 12, Act 2: "Nun laßt uns aber wie dahein". "Es lebt' eine Vilja" (Viljalied)..."Mi velimo dase dase Veslimo!" [Hanna, Chor] | Franz Lehár, Philharmonia Orchestra, The Philharmonia Chorus, Lovro Von Matacic | G Major | 1 | 9B | 85 BPM | ||
"La Traviata": Prelude to Act 1 | Giuseppe Verdi, Rome Philharmonic Chorus, Eteri Lamoris, Manuel Beltran-Gil, Barry Anderson, Jansug Kakhidze, Rome Philharmonic Orchestra | B Major | 0 | 1B | 116 BPM |
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