On January 1, 1981, the song "Radetzky-Marsch, Op. 228" was released by Johann Strauss I, Berliner Philharmoniker, Herbert von Karajan. The duration of Radetzky-Marsch, Op. 228 is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Radetzky-Marsch, Op. 228's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 8 in the song's album "Strauss, J. I & J.II, Josef Strauss: Radetzky-Marsch". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. In terms of popularity, Radetzky-Marsch, Op. 228 is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Radetzky-Marsch, Op. 228 by Johann Strauss I, Berliner Philharmoniker, Herbert von Karajan having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sobre La Olas (Over The Waves) | Juventino Rosas, Andrew Davis | G Major | 1 | 9B | 167 BPM | ||
Strauss, R: Also sprach Zarathustra, Op. 30: I. Introduction | Richard Strauss, London Philharmonic Orchestra, David Bell, Klaus Tennstedt | C Major | 2 | 8B | 82 BPM | ||
Der Carneval in Paris, Galopp, Op. 100 | Johann Strauss I, Nikolaus Harnoncourt, Concentus Musicus Wien | F Major | 1 | 7B | 81 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM | ||
"Pomp and Circumstance," Op.39: March, No.1 in D | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | D Major | 3 | 10B | 72 BPM | ||
Rákóczy March | Arthur Fiedler | A Major | 3 | 11B | 106 BPM | ||
Beethoven: Symphony No. 5 in C Minor, Op. 67: III. Allegro - | Ludwig van Beethoven, Kurt Masur, New York Philharmonic | F Major | 3 | 7B | 88 BPM | ||
Tchaikovsky: Romeo and Juliet, Fantasy Overture (Excerpt) | Pyotr Ilyich Tchaikovsky, Oslo Philharmonic Orchestra, Mariss Jansons | B Minor | 1 | 10A | 79 BPM | ||
Sorochinskaya yarmarka (Sorochintsi Fair): Gopak (Hopak) (arr. N. Rimsky-Korsakov for orchestra) | Modest Mussorgsky, Nikolai Rimsky-Korsakov, Ukraine National Symphony Orchestra, Theodore Kuchar | E♭ Major | 2 | 5B | 66 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM |
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