Hilary Hahn's 'Hilary Hahn talks about the Mozart Violin Sonatas (part 2)' came out on January 1, 2005. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Wolfgang Amadeus Mozart, Hilary Hahn, Natalie Zhu's "Mozart: Violin Sonatas K.301, 304, 376 & 526" album is number 12 out of 12. Hilary Hahn talks about the Mozart Violin Sonatas (part 2) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Hilary Hahn talks about the Mozart Violin Sonatas (part 2) by Hilary Hahn to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 2 in A Minor, Op. 35: II. Variation 1: Un poco piu mosso | Anton Arensky, Ying Quartet | E Minor | 1 | 9A | 173 BPM | ||
Piano Concerto in A Minor, Op. 54: II. Intermezzo (Andantino grazioso) | Robert Schumann, Krystian Zimerman, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 70 BPM | ||
Grand Overture in D major, Op. 18, No. 6, W. XC1: III. Allegretto | Johann Christian Bach, Akademie für Alte Musik Berlin | E Major | 0 | 12B | 146 BPM | ||
Concerto for Strings in B-Flat Major, RV 163 "Conca": I. Allegro molto marcato | Antonio Vivaldi, Europa Galante, Fabio Biondi | A Major | 1 | 11B | 124 BPM | ||
Symphony No. 35 KV385 in DMajor "Haffner": Allegro con spirito | Academy of St. Martin in the Fields, Iona Brown | D Major | 1 | 10B | 79 BPM | ||
Sinfonia Concertante in B-Flat Major, Hob. I. 105: III. Allegro con spirito | Franz Joseph Haydn, Gregory Ahss, Konstantin Pfiz, Lucas Macias Navarro, Guilhaume Santana, Claudio Abbado, Orchestra Mozart | B♭ Major | 1 | 6B | 130 BPM | ||
Variations on a Rococo Theme, Op. 33 for cello and orchestra: Var. VII e Coda: Allegro vivo | Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek | A Major | 2 | 11B | 148 BPM | ||
Sibelius : Violin Concerto in D minor Op.47 : II Adagio di molto | Jean Sibelius, Maxim Vengerov, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Major | 1 | 6B | 129 BPM | ||
String Octet in B-Flat Major: II. Adagio | Max Bruch, Zsolt Fejervari, Kodály Quartet, Auer String Quartet | A Minor | 3 | 8A | 136 BPM | ||
Piano Concerto No.4 in G minor, Op.40: 3. Allegro vivace | Sergei Rachmaninoff, Vladimir Ashkenazy, London Symphony Orchestra, André Previn | G Major | 2 | 9B | 177 BPM |
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