Johannes Brahms, Sir Adrian Boult, London Philharmonic Orchestra made "Serenade No. 2 in A Major, Op. 16: II. Scherzo (Vivace)" available on May 1, 2021. The duration of Serenade No. 2 in A Major, Op. 16: II. Scherzo (Vivace) is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Serenade No. 2 in A Major, Op. 16: II. Scherzo (Vivace)'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in #nowplaying Mozart, so we believe that "Serenade No. 2 in A Major, Op. 16: II. Scherzo (Vivace)" is a single. Serenade No. 2 in A Major, Op. 16: II. Scherzo (Vivace) is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Serenade No. 2 in A Major, Op. 16: II. Scherzo (Vivace) by Johannes Brahms, Sir Adrian Boult, London Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957) | Franz Schubert, Franz Liszt, Khatia Buniatishvili | D Major | 0 | 10B | 67 BPM | ||
Liebestraum No. 3 in A-Flat Major, S. 541 / 3 | Franz Liszt, Lang Lang | A♭ Major | 0 | 4B | 137 BPM | ||
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM | ||
Keyboard Suite No. 1 (Set II) in B-Flat Major, HWV 434: IV. Menuet (arr. W. Kempff for piano) | Wilhelm Kempff, George Frideric Handel, Roberto Cominati | G Minor | 0 | 6A | 60 BPM | ||
Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM | ||
Schubert: 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major | Franz Schubert, Rudolf Buchbinder | G Major | 0 | 9B | 135 BPM | ||
Après un rêve, Op. 7, No. 1 (Arr. for Cello and Piano) | Gabriel Fauré, Sheku Kanneh-Mason, Isata Kanneh-Mason | G Minor | 0 | 6A | 112 BPM | ||
Kinderszenen, Op. 15: No. 7 in F Major, Träumerei | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 130 BPM |
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