Tony T Nguyen's 'Undying Love for Tamz' came out on April 14, 2017. The duration of Undying Love for Tamz is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Undying Love for Tamz's duration is considered a little bit shorter than the average duration of a typical track. Since Undying Love for Tamz only contains only one song in the album, we like to consider this song as a single. Undying Love for Tamz is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Undying Love for Tamz by Tony T Nguyen having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Becoming One | Richard Goldsworthy | C Major | 0 | 8B | 72 BPM | ||
Nocturne 18 | Craig Armstrong | E♭ Major | 1 | 5B | 98 BPM | ||
Sunrise solace | Halima Grey | D♭ Major | 2 | 3B | 109 BPM | ||
What Could Have Been | Myuu | A♭ Minor | 2 | 1A | 80 BPM | ||
Full Circle | Liefie | C Major | 0 | 8B | 177 BPM | ||
River Dawn, Part 1 | Catherine Marie Charlton | E♭ Major | 0 | 5B | 71 BPM | ||
Our Great Adventure | Sherwood Roberts | C Major | 4 | 8B | 128 BPM | ||
A Dead Sea's Ripples | Sophie Hutchings | A♭ Minor | 0 | 1A | 70 BPM | ||
Lullaby for the Hills | Masako | D Minor | 2 | 7A | 154 BPM | ||
The Empty Room | Yann Tiersen | A Minor | 2 | 8A | 113 BPM |
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