Part II. Overture in D major: III. Air: Vivace - Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz Information

Acousticness: 95%
Danceability: 44%
Energy: 9%
Instrumentalness: 14%
Liveness: 29%
Loudness: 71%
Speechiness: 3%
Valence: 52%
Popularity: 20%
Loudness: -17.655 dB

Summary

Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz made "Part II. Overture in D major: III. Air: Vivace" available on October 21, 2010. The duration of Part II. Overture in D major: III. Air: Vivace is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Part II. Overture in D major: III. Air: Vivace's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 69 in the song's album "Telemann: Complete Tafelmusik". In this album, this song's track order is #12. Part II. Overture in D major: III. Air: Vivace is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Part II. Overture in D major: III. Air: Vivace BPM

With Part II. Overture in D major: III. Air: Vivace by Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.

Part II. Overture in D major: III. Air: Vivace Key

This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Trio Sonata in D Major, Op. 8 No. 8: I. Largo andante	Pietro Locatelli, London Baroque	E Major	1	12B	106 BPM
Trio Sonata for 2 Oboes and Continuo in A, Op. 5, No. 1, HWV 396: 4. Gavotte (Allegro)	George Frideric Handel, Celia Nicklin, Neil Black, George Malcolm, Graham Sheen, Academy of St. Martin in the Fields	B Minor	1	10A	78 BPM
Concerto for flute, violin and cello in A major / La majeur / A-dur: II. Allegro	Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz	A♭ Major	2	4B	120 BPM
Concerto a 5 in C, Op.7, No.5 for 2 Oboes, Strings and Continuo: 3. Allegro	Tomaso Albinoni, Heinz Holliger, Maurice Bourgue, I Musici	C Major	2	8B	120 BPM
Trio Sonata No. 1 in G Major: II. Andantino	Domenico Gallo, London Baroque	E♭ Minor	1	2A	82 BPM
Concerto for Oboe, Strings and B.c. "Voli per l'aria": Adagio (from Organconcerto op.4,3, HWV 291)	George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Jakub Haufa, Monika Razynska	B♭ Minor	0	3A	178 BPM
Trumpet Concerto No. 1 in D Major, MWV 6:32: III. Allegro	Johann Melchior Molter, Niklas Eklund, Drottningholm Baroque Ensemble, Nils-Erik Sparf	A♭ Major	2	4B	91 BPM
Concerto No.2 for Trumpet, 2 Oboes, Strings and Continuo in D: 4. Vivace	Georg Philipp Telemann, Håkan Hardenberger, Celia Nicklin, Tess Miller, John Constable, Academy of St. Martin in the Fields, Iona Brown	D Major	2	10B	117 BPM
Concerto a 5 in G, Op. 9, No. 6 for 2 Oboes, Strings, and Continuo - Rev. Giegling: 2. Adagio	Tomaso Albinoni, Heinz Holliger, Maurice Bourgue, I Musici, Maria Teresa Garatti	G Major	9	9B	124 BPM
Suite in G Minor: Menuet I - II	Marin Marais, London Baroque	F♯ Minor	2	11A	46 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6421451568603516

End: 0.6470110416412354