"Lieder ohne Worte, Book 2, Op. 30 (Excerpts): No. 6 in F-Sharp Minor, MWV U 110 "Venetianisches Gondellied"" by Felix Mendelssohn, Denis Kozhukhin was released on June 28, 2019. The duration of Lieder ohne Worte, Book 2, Op. 30 (Excerpts): No. 6 in F-Sharp Minor, MWV U 110 "Venetianisches Gondellied" is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Lieder ohne Worte, Book 2, Op. 30 (Excerpts): No. 6 in F-Sharp Minor, MWV U 110 "Venetianisches Gondellied"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Denis Kozhukhin's "Grieg: Lyric Pieces - Mendelssohn: Lieder ohne Worte" album is number 6 out of 26. On top of that, Netherlands appears to be the country where this track was created. Lieder ohne Worte, Book 2, Op. 30 (Excerpts): No. 6 in F-Sharp Minor, MWV U 110 "Venetianisches Gondellied" is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lieder ohne Worte, Book 2, Op. 30 (Excerpts): No. 6 in F-Sharp Minor, MWV U 110 "Venetianisches Gondellied" by Felix Mendelssohn, Denis Kozhukhin to be Larghetto (rather broadly) because the track has a tempo of 65 BPM, a half-time of 32BPM, and a double-time of 130 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prélude à l'après-midi d'un faune, L.86 | Claude Debussy, Timothy Hutchins, Orchestre Symphonique de Montréal, Charles Dutoit | A♭ Minor | 0 | 1A | 90 BPM | ||
The Seasons, Op. 37b: VI. June, "Barcarolle" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Minor | 0 | 6A | 87 BPM | ||
5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | A Minor | 0 | 8A | 129 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | ||
Sonatina No. 1, Op. 67: II. Largo | Jean Sibelius, Leif Ove Andsnes | F♯ Minor | 0 | 11A | 112 BPM | ||
Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | ||
Mendelssohns Lieder, S. 547: Auf Flugeln des Gesanges (from Op. 34, No. 2) | Franz Liszt, Joseph Banowetz | A♭ Major | 0 | 4B | 149 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
10 Preludes, Op. 23: No. 5 Alla marcia in G Minor | Sergei Rachmaninoff, Sviatoslav Richter | E♭ Major | 0 | 5B | 70 BPM |
Section: 0.6928548812866211
End: 0.6978983879089355