"E' strano... Follie... Sempre libera - La Traviata Atto I" by Renata Tebaldi was released on August 4, 2011. Since E' strano... Follie... Sempre libera - La Traviata Atto I is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Renata Tebaldi's "Mi chiamano Mimì" album is number 2 out of 13. E' strano... Follie... Sempre libera - La Traviata Atto I is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of E' strano... Follie... Sempre libera - La Traviata Atto I by Renata Tebaldi to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adriana Lecouvreur / Act 2: E bene?- Che granchio! | Francesco Cilea, Franco Ricciardi, Giulio Fioravanti, Renata Tebaldi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Franco Capuana | F Major | 1 | 7B | 84 BPM | ||
Les Pecheurs De Perles: Je Crois Entendre Encore | Alfredo Kraus, Georges Bizet, Nicola Rescigno, Orquesta Manuel de Falla | A Minor | 1 | 8A | 81 BPM | ||
Gianni Schicchi: Oh! Mio Babbino Caro | Renata Tebaldi, Lamberto Gardelli, Orchestra del Maggio Musicale Fiorentino | A♭ Major | 3 | 4B | 88 BPM | ||
Carmen, Act I, No.2 : Scène et Choeur: Sur la place, chacun passe, chacun vient, chacun va (Moralès/Dragons) | Georges Bizet, Ludovic Tézier/Choeur 'Les Elements'/Orchestre National du Capitole de Toulouse/Michel Plasson, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | B♭ Major | 1 | 6B | 107 BPM | ||
Semele, Act II: "Where'er You Walk" | George Frideric Handel, Leontyne Price, Henry Lewis | B♭ Major | 2 | 6B | 131 BPM | ||
La regata veneziana: 3. Anzoleta dopo la regata | Gioachino Rossini, Renata Tebaldi, New Philharmonia Orchestra, Richard Bonynge | A♭ Major | 1 | 4B | 82 BPM | ||
Madama Butterfly - Act II | Renata Tebaldi, Tullio Serafin, Orchestra of the Accademia di Santa Cecilia & Roma | G Major | 2 | 9B | 162 BPM | ||
La Bohème: Si, mi chiamano Mimì | Mirella Freni, Vienna Volksoper Orchestra, Argeo Quadri | D Major | 1 | 10B | 104 BPM | ||
Don Giovanni, K.527 / Act 1: "Là ci darem la mano" | Wolfgang Amadeus Mozart, Lucia Popp, Tom Krause, Vienna Haydn Orchestra, István Kertész | A Major | 3 | 11B | 96 BPM | ||
Carmen, Act I: No.10 Séguidille et Duo : Près des ramparts de Séville (Carmen/Don José) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | G Major | 1 | 9B | 90 BPM |
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