Johann Sebastian Bach, Göran Söllscher made "Suite for Solo Cello No. 1 in G Major, BWV 1007 (Transcr. for Solo Guitar by Göran Söllscher): VI. Gigue" available on July 30, 2022. With Suite for Solo Cello No. 1 in G Major, BWV 1007 (Transcr. for Solo Guitar by Göran Söllscher): VI. Gigue being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 43 out of 253 in BBQ Night with Bach by Johann Sebastian Bach, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Suite for Solo Cello No. 1 in G Major, BWV 1007 (Transcr. for Solo Guitar by Göran Söllscher): VI. Gigue's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Suite for Solo Cello No. 1 in G Major, BWV 1007 (Transcr. for Solo Guitar by Göran Söllscher): VI. Gigue by Johann Sebastian Bach, Göran Söllscher is Allegro (fast, quick, and bright), since this song has a tempo of 153 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, JS: Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: II. Adagio ma non tanto | Johann Sebastian Bach, Monica Huggett, John Toll, Pavlo Beznosiuk, Richard Campbell, Richard Tunnicliffe, Sarah Cunningham, William Hunt, Orchestra of the Age of Enlightenment | D Major | 0 | 10B | 81 BPM | ||
Orfeo Ed Euridice: Dance of the Blessed Spirits (Act II) | Christoph Willibald Gluck, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 75 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: Allegro | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | B♭ Major | 4 | 6B | 129 BPM | ||
Keyboard Sonata in E Major, Kk. 135 (L. 224): Allegro | Domenico Scarlatti, Ivo Pogorelich | E Major | 1 | 12B | 181 BPM | ||
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Minor | 3 | 12A | 169 BPM | ||
Sonata in C Major, No. 3: IV. Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | B Major | 3 | 1B | 125 BPM | ||
Vivaldi: Giustino, RV 717: Sinfonia, 1. Allegro | Antonio Vivaldi, Marina Comparato, Dominique Labelle, Francesca Provvisionato, Geraldine McGreevy, Leonardo de Lisi, Laura Cherici, Il Complesso Barocco, Alan Curtis | F♯ Major | 1 | 2B | 139 BPM | ||
Concerto Saint Marc: III. Andante | Tomaso Albinoni, John Roderick MacDonald, Martin Stephan | G Minor | 0 | 6A | 60 BPM | ||
Keyboard Concerto No. 5 in F Minor, BWV 1056: I. [Allegro] | Johann Sebastian Bach, Simone Dinnerstein, Staatskapelle Berlin | B♭ Minor | 3 | 3A | 143 BPM | ||
Concerto For 2 Keyboards In C Major, BWV 1061: I. - Allegro | Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Johann Sebastian Bach | C Major | 3 | 8B | 94 BPM |
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