J. S. Bach: Matthäus-Passion/Erster Teil/So ist mein Jesus nun gefangen... (Arie/Chor)
Gewandhausorchester Leipzig, Adele Stolte, Rudolf Mauersberger, Dresdner Kreuzchor, Erhard Mauersberger, Annelies Burmeister, Thomanerchor Leipzig
Johann Sebastian Bach: Matthäus-Passion
5:11 1975
BPM
86
Key
A Minor
Camelot
8A

Embed

Share Link

J. S. Bach: Matthäus-Passion/Erster Teil/So ist mein Jesus nun gefangen... (Arie/Chor) - Gewandhausorchester Leipzig, Adele Stolte, Rudolf Mauersberger, Dresdner Kreuzchor, Erhard Mauersberger, Annelies Burmeister, Thomanerchor Leipzig Information

Acousticness
99%
Danceability
25%
Energy
17%
Instrumentalness
1%
Liveness
55%
Loudness
71%
Speechiness
12%
Valence
14%
Popularity
Loudness
-17.686 dB

Summary

"J. S. Bach: Matthäus-Passion/Erster Teil/So ist mein Jesus nun gefangen... (Arie/Chor)" by Gewandhausorchester Leipzig, Adele Stolte, Rudolf Mauersberger, Dresdner Kreuzchor, Erhard Mauersberger, Annelies Burmeister, Thomanerchor Leipzig was released on 1975. With this song being about 5 minutes long, at 5:11, "J. S. Bach: Matthäus-Passion/Erster Teil/So ist mein Jesus nun gefangen... (Arie/Chor)" by Gewandhausorchester Leipzig, Adele Stolte, Rudolf Mauersberger, Dresdner Kreuzchor, Erhard Mauersberger, Annelies Burmeister, Thomanerchor Leipzig is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Gewandhausorchester Leipzig's "Johann Sebastian Bach: Matthäus-Passion" album is number 27 out of 68. J. S. Bach: Matthäus-Passion/Erster Teil/So ist mein Jesus nun gefangen... (Arie/Chor) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

J. S. Bach: Matthäus-Passion/Erster Teil/So ist mein Jesus nun gefangen... (Arie/Chor) BPM

We consider the tempo marking of J. S. Bach: Matthäus-Passion/Erster Teil/So ist mein Jesus nun gefangen... (Arie/Chor) by Gewandhausorchester Leipzig, Adele Stolte, Rudolf Mauersberger, Dresdner Kreuzchor, Erhard Mauersberger, Annelies Burmeister, Thomanerchor Leipzig to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.

J. S. Bach: Matthäus-Passion/Erster Teil/So ist mein Jesus nun gefangen... (Arie/Chor) Key

This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Schumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht schnell by Robert Schumann, Piotr AnderszewskiSchumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht schnellRobert Schumann, Piotr AnderszewskiC Major08B173 BPM
Violin Concerto in C Major, RV 184: III. Allegro by Antonio Vivaldi, Roberto Baraldi, Accademia I Filarmonici, Alberto MartiniViolin Concerto in C Major, RV 184: III. AllegroAntonio Vivaldi, Roberto Baraldi, Accademia I Filarmonici, Alberto MartiniC Major28B117 BPM
Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.2 in C minor BWV847 by Daniel BarenboimBach, JS : Well-Tempered Clavier Book 1 : Fugue No.2 in C minor BWV847Daniel BarenboimC Minor15A132 BPM
Suite No. 3, P. 172: I. Italiana: Andantino by Ottorino Respighi, RTÉ National Symphony OrchestraSuite No. 3, P. 172: I. Italiana: AndantinoOttorino Respighi, RTÉ National Symphony OrchestraB♭ Major16B94 BPM
Water Music Suite No. 1 in F Major, HWV 348: II. Adagio e staccato by George Frideric Handel, The English Concert, Trevor PinnockWater Music Suite No. 1 in F Major, HWV 348: II. Adagio e staccatoGeorge Frideric Handel, The English Concert, Trevor PinnockD♭ Minor012A106 BPM
Suite in D Minor, HWV 447: Allemande by George Frideric Handel, David GreilsammerSuite in D Minor, HWV 447: AllemandeGeorge Frideric Handel, David GreilsammerD Minor17A74 BPM
4 Impromptus, Op. 90, D.899: No. 4 in A Flat Major: Allegretto by Franz Schubert, Radu Lupu4 Impromptus, Op. 90, D.899: No. 4 in A Flat Major: AllegrettoFranz Schubert, Radu LupuA♭ Major04B125 BPM
Musical Offering, BWV 1079: Canon 3. a 2 per Motum contrarium by Johann Sebastian Bach, Nils-Thilo Krämer, Ariane Pfister, Christian Benda, Sebastian Benda, Capella IstropolitanaMusical Offering, BWV 1079: Canon 3. a 2 per Motum contrariumJohann Sebastian Bach, Nils-Thilo Krämer, Ariane Pfister, Christian Benda, Sebastian Benda, Capella IstropolitanaC Minor25A172 BPM
Overture (Suite) in B-Flat Major, TWV 55:B2: Aria IV: Sarabande by Georg Philipp Telemann, La Stagione Frankfurt, Michael SchneiderOverture (Suite) in B-Flat Major, TWV 55:B2: Aria IV: SarabandeGeorg Philipp Telemann, La Stagione Frankfurt, Michael SchneiderA Major111B98 BPM
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto by Tomaso Albinoni, Paul Dombrecht, Il FondamentoConcerto a cinque No. 2, Op. 9: I. Allegro e no prestoTomaso Albinoni, Paul Dombrecht, Il FondamentoD♭ Minor312A169 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.9329562187194824

End: 0.9374673366546631