Ferdinando Nazaro, KLK Symphony Orchestra, Marko Komonko, Ferdinando Nazzaro's 'Concerto n°2 per violino e orchestra: II. Gelido - Agitato - Mosso - Calmo - Tempo I' came out on July 10, 1905. Since Concerto n°2 per violino e orchestra: II. Gelido - Agitato - Mosso - Calmo - Tempo I is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in KLK Symphony Orchestra, Marko Komonko, Ferdinando Nazzaro's "KLK Symphony Orchestra: Ugoletti, Nazzaro, Procaccini, Pedini" album is number 3 out of 9. On top of that, Italy appears to be the country where this track was created. In terms of popularity, Concerto n°2 per violino e orchestra: II. Gelido - Agitato - Mosso - Calmo - Tempo I is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto n°2 per violino e orchestra: II. Gelido - Agitato - Mosso - Calmo - Tempo I by Ferdinando Nazaro, KLK Symphony Orchestra, Marko Komonko, Ferdinando Nazzaro to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet In G Minor, Op. 10, L. 85: 2. Scherzo (Assez vif et bien rythmé) | Claude Debussy, Emerson String Quartet | B Minor | 0 | 10A | 78 BPM | ||
A Song before Sunrise | Frederick Delius, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 135 BPM | ||
Music for Ensemble and Orchestra: V. Sixteenths | Steve Reich, Los Angeles Philharmonic, Susanna Mälkki | A♭ Major | 2 | 4B | 99 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: III. Moderato | Dmitri Shostakovich, Simon Trpčeski, Andrei Kavalinski, Cristian Măcelaru, Janáček Philharmonic Ostrava | A♭ Major | 1 | 4B | 75 BPM | ||
Dr. Merryheart: VI. Variation 5: Merryheart Fights A Dragon (Merryheart kampft mit dem Drache) | RTÉ National Symphony Orchestra, Havergal Brian | F Minor | 0 | 4A | 85 BPM | ||
Sonata for Violin and Cello (1920-22) / II. Très vif | Maurice Ravel, Yegor Dyachkov, Olivier Thouin | A Major | 1 | 11B | 79 BPM | ||
Le sacre du printemps / Pt. 1: L'Adoration de la terre: VIII. Danse de la terre | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | A♭ Minor | 0 | 1A | 84 BPM | ||
Dr. Van Helsing and Dracula | Philip Glass, Kronos Quartet | E♭ Major | 1 | 5B | 130 BPM | ||
Kjempeviseslåtten, Op 22a, No. 5 | Harald Sæverud, Bergen Philharmonic Orchestra | G Minor | 0 | 6A | 117 BPM | ||
String Quartet in F Major: I. Allegro moderato, tres doux | Maurice Ravel, Cavani Quartet | F Major | 1 | 7B | 130 BPM |
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