Joseph Haydn, Anna Zhitnukhina, Hayley Bullock, Dmitrij Gornowskij made "Divertimento for Flute, Violin & Cello in D Major, Hob. IV:6: I. Adagio cantabile" available on July 1, 2022. The duration of Divertimento for Flute, Violin & Cello in D Major, Hob. IV:6: I. Adagio cantabile is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Divertimento for Flute, Violin & Cello in D Major, Hob. IV:6: I. Adagio cantabile's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Joseph Haydn, Anna Zhitnukhina's "Haydn: 6 Divertimenti, Hob. IV:6-11" album is number 19 out of 36. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Divertimento for Flute, Violin & Cello in D Major, Hob. IV:6: I. Adagio cantabile is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Divertimento for Flute, Violin & Cello in D Major, Hob. IV:6: I. Adagio cantabile by Joseph Haydn, Anna Zhitnukhina, Hayley Bullock, Dmitrij Gornowskij to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 3 in G Major: 2nd Movement, Adagio | Michael Maxwell | D Major | 2 | 10B | 86 BPM | ||
Sonatina Op. 136 Nº 4 em Lá Menor (A Minor) Allegro Moderato | Carl Reinecke, Luís Pipa | F Major | 2 | 7B | 107 BPM | ||
Violin Sonata in A Major: Largo - Allegro - Largo - Allegro | Domenico Zipoli, Michal Mesjar, Olívia Kriváňová, Barbora Klapalová | A Major | 2 | 11B | 83 BPM | ||
String Quartet in B Minor, Hob.III:37, (Op. 33 No. 1): 3. Andante | Joseph Haydn, The Angeles String Quartet | A Major | 0 | 11B | 119 BPM | ||
Volverás | Mauricio Trabanino | E♭ Major | 1 | 5B | 90 BPM | ||
28 Variazions on Aria “ I Was Sleeping, and Then I Dreamed” for Solo Flute in G Major: Variation 27 (Recomposed by Luca Astolfoni Fossi) | Johann Joachim Quantz, Claudio Ferrarini | G Major | 3 | 9B | 102 BPM | ||
No Heathen | Marc Ezenge | F Minor | 1 | 4A | 154 BPM | ||
Trumpet Concerto in D Major, G. 28: II. Grave - Allegro - Adagio | Giuseppe Torelli, Ede Inhoff, Hungarian State Opera Chamber Orchestra | D Major | 1 | 10B | 96 BPM | ||
Children's Album, Op. 39, TH 141: No. 4, Mama | Pyotr Ilyich Tchaikovsky, Dina Kazachanskaya | E♭ Major | 3 | 5B | 100 BPM | ||
The Creation, Hob. XXI:2: Pt. I, No.1: Die Vorstellung des Chaos (the Representation of Chaos) | Franz Joseph Haydn, Sunhae Im, Jan Kobow, Hanno Müller-Brachmann, Christine Wehler, Cologne Vocal Ensemble, Capella Augustina, Andreas Spering | C Minor | 0 | 5A | 70 BPM |
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