"1812 Overture - Finale (V for Vendetta)" by London Symphony Orchestra, George Richter was released on August 21, 2011. The duration of 1812 Overture - Finale (V for Vendetta) is about 3 minutes long, at 3:10. Based on our data, "1812 Overture - Finale (V for Vendetta)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 18 in the song's album "The Very Best of Sci-fi & Fantasy (From Sucker Punch to V for Vendetta) [Original Motion Picture Soundtrack]". In this album, this song's track order is #18. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, 1812 Overture - Finale (V for Vendetta)'s popularity is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 1812 Overture - Finale (V for Vendetta) by London Symphony Orchestra, George Richter having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Carnival of the Animals, R.125: VII. Aquarium | Camille Saint-Saëns, Cologne New Philharmonic, Nataša Majer, Ana Pišpek, Volker Hartung | A Minor | 0 | 8A | 141 BPM | ||
The Rite of Spring: Part One: Adoration of the Earth: The Augurs of Spring - Dance of the Young Girls | Igor Stravinsky, Teodor Currentzis, musicAeterna | B♭ Major | 3 | 6B | 120 BPM | ||
Piano Concerto No. 1 in E Minor, Op. 11: II. Romance (Larghetto) | Frédéric Chopin, Seong-Jin Cho, London Symphony Orchestra, Gianandrea Noseda | D♭ Major | 0 | 3B | 87 BPM | ||
Requiem, K. 626. Confutatis | Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields, Academy of St Martin in the Fields Chorus, Laszlo Heltay | D Minor | 0 | 7A | 74 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | G Minor | 1 | 6A | 83 BPM | ||
A Princess Without A Voice - From "The Shape Of Water" Soundtrack | Alexandre Desplat, Dominique Lemonnier, London Symphony Orchestra | F Minor | 1 | 4A | 80 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Main Title | John Williams, London Symphony Orchestra | C Major | 4 | 8B | 100 BPM | ||
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, David Zinman | C Minor | 0 | 5A | 173 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM |
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