- BPM
- 165
- Key
- D Major
- Camelot
- 10B
La Bohème: Act I - ''On m'appelle Mimi'' - Orchestre de Paris, Jean-Claude Hartemann, Geori Boue Information
- Acousticness
- 99%
- Danceability
- 26%
- Energy
- 20%
- Instrumentalness
- 0%
- Liveness
- 17%
- Loudness
- 77%
- Speechiness
- 5%
- Valence
- 10%
- Popularity
- 1%
- Loudness
- -13.802 dB
Summary
"La Bohème: Act I - ''On m'appelle Mimi''" by Orchestre de Paris, Jean-Claude Hartemann, Geori Boue was released on January 30, 2012. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "Singer Portrait - Géori Boué". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Germany. The popularity of La Bohème: Act I - ''On m'appelle Mimi'' is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
La Bohème: Act I - ''On m'appelle Mimi'' BPM
With La Bohème: Act I - ''On m'appelle Mimi'' by Orchestre de Paris, Jean-Claude Hartemann, Geori Boue having a BPM of 165 with a half-time of 82 BPM and a double-time of 330 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
La Bohème: Act I - ''On m'appelle Mimi'' Key
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Hungarian Dance No.6 In D Flat | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | D Major | 2 | 10B | 153 BPM | |
 | ダッタン人の踊り (歌劇 イーゴリ公より) 6 娘たちの流麗な踊り | Alexander Borodin, Ken-Ichiro Kobayashi, Arnhem Philharmonic Orchestra | A Major | 2 | 11B | 176 BPM | |
 | Rachmaninov: 14 Romances, Op. 34: No. 14, Vocalise (Orchestral Version) | Sergei Rachmaninoff, Paavo Järvi, Orchestre de Paris | F♯ Major | 3 | 2B | 133 BPM | |
 | Fauré: Requiem, Op. 48: II. Offertoire | Gabriel Fauré, Matthias Goerne, Choeur de l'Orchestre de Paris, Orchestre de Paris, Paavo Järvi | D Major | 0 | 10B | 83 BPM | |
 | Italian Polka | Sergei Rachmaninoff, Brigitte Engerer, Oleg Maisenberg | E♭ Major | 1 | 5B | 103 BPM | |
 | Symphony No. 5 in D Minor, Op. 47: IV. Allegro non troppo | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | B♭ Major | 4 | 6B | 106 BPM | |
 | Il barbiere di Siviglia: Overture | Gioachino Rossini, David Parry, London Philharmonic Orchestra | E Major | 3 | 12B | 95 BPM | |
 | Violin Concerto No. 2 in D Minor, Op. 22: I. Allegro moderato | Henryk Wieniawski, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | B♭ Major | 1 | 6B | 104 BPM | |
 | L'Arlésienne Suite No. 1, WD 40: 4. Carillon | Georges Bizet, Orchestre de Paris, Semyon Bychkov | E Major | 0 | 12B | 115 BPM | |
| Fauré: Cantique de Jean Racine, Op. 11 (Orchestral Version) | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | D♭ Major | 1 | 3B | 79 BPM |
- ISRC
- DEHB51201075
- Label
- L-M Records/RCA Records
Section: 0.7633347511291504
End: 0.7681982517242432