"Welch Licht leuchtet dort? (Götterdämmerung)" by Bayreuth Festival Chorus, Bayreuth Festival Orchestra was released on November 16, 2012. Welch Licht leuchtet dort? (Götterdämmerung) appears to be safe for all ages as it is not explicit. The song is number 1 out of 163 in Der Ring des Nibelungen (Gesamt / Complete) by Wiener Philharmoniker, Bayreuth Festival Orchestra. Welch Licht leuchtet dort? (Götterdämmerung) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Welch Licht leuchtet dort? (Götterdämmerung) by Bayreuth Festival Chorus, Bayreuth Festival Orchestra is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony N. 1 in C Minore, Op. 68 - IV. Adagio–Allegro ma con brio | Johannes Brahms, Rudolf Kempe, Berliner Philharmoniker | C Major | 0 | 8B | 131 BPM | ||
Il barbiere di Siviglia / Act 1: "Ma signor..." "Zitto tu!" | Gioachino Rossini, Giorgio Tadeo, Carlo Cava, Gianna D'Angelo, Gabriella Carturan, Nicola Monti, Renato Capecchi, Bavarian Radio Symphony Orchestra, Bruno Bartoletti, Coro dell' Opera Nazionale Italiana | C Major | 6 | 8B | 103 BPM | ||
Cavalleria rusticana: Part II: Mamma, mamma! Quel vino e generoso (Turiddu, Lucia, Santuzza, A Woman) | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | E♭ Major | 2 | 5B | 133 BPM | ||
Rusalka, Op. 114 / Act 1: Hou, hou, hou, stojí mésic nad vodou! | Antonín Dvořák, Dana Buresova, Hana Minutillo, Livia Aghova, Czech Philharmonic Orchestra, Sir Charles Mackerras | A Major | 2 | 11B | 135 BPM | ||
Symphony No. 2, Op. 52, "Lobgesang": II. Chor: Alles, was Odem hat, lobe den Herrn / Sopran solo: Lobe den Herrn, meine Seele | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi, Zürcher Sing-Akademie, Florian Helgath, Chen Reiss | E Major | 1 | 12B | 72 BPM | ||
Verdi : Messa da Requiem : I Requiem | Giuseppe Verdi, Daniel Barenboim, Chicago Symphony Orchestra | A Major | 0 | 11B | 81 BPM | ||
Carmen / Act 3: Si tu m'aimes, Carmen... | Georges Bizet, Christine Barbaux, Agnes Baltsa, Jane Berbié, José van Dam, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | B♭ Minor | 1 | 3A | 85 BPM | ||
Mussorgsky: Boris Godunov, Prologue: "Nu, chtozh vy?" (Officier, Chorus) | Modest Mussorgsky, Issay Dobrowen, Chœurs russes de Paris, Stanisław Pieczora, Orchestre National Radiodiffusion Française | E♭ Major | 1 | 5B | 88 BPM | ||
Hoffmanns Erzählungen (Les Contes d'Hoffmann): "Meine Geliebte!" | Jacques Offenbach, Sandor Konya, Orchester der Deutschen Oper Berlin, Richard Kraus | E Major | 0 | 12B | 77 BPM | ||
Cendrillon: On appelle, on sonne! | Jules Massenet, Philharmonia Orchestra, Julius Rudel | G Major | 1 | 9B | 84 BPM |
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