"Taras Bulba, JW VI/15: III. Proroctvi a smrt Tarase Bulby (The Prophecy and Death of Taras Bulba)" by Leoš Janáček, Warsaw Philharmonic Orchestra, Antoni Wit was released on April 3, 2012. Taras Bulba, JW VI/15: III. Proroctvi a smrt Tarase Bulby (The Prophecy and Death of Taras Bulba) appears to be safe for all ages as it is not explicit. The track order of this song in Leoš Janáček, Antoni Wit's "Janacek: Taras Bulba - Lachian Dances" album is number 3 out of 14. Taras Bulba, JW VI/15: III. Proroctvi a smrt Tarase Bulby (The Prophecy and Death of Taras Bulba) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Taras Bulba, JW VI/15: III. Proroctvi a smrt Tarase Bulby (The Prophecy and Death of Taras Bulba) by Leoš Janáček, Warsaw Philharmonic Orchestra, Antoni Wit to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Five pieces for Two Violins and Piano: I. Prelude- Moderato | Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw | B Minor | 0 | 10A | 82 BPM | ||
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | ||
Suite for String Orchestra, JW6 No. 2: III. Andante con Moto | Antonín Dvořák, Leoš Janáček, Josef Suk, Bohuslav Martinů, Bedřich Smetana, Ciconia Consort, Dick van Gasteren | E Minor | 2 | 9A | 129 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
Pièces froides: II. Airs à faire fuir, Modestement | Erik Satie, Bruno Fontaine | G Major | 0 | 9B | 73 BPM | ||
Suite for String Orchestra, JW6 No. 2: IV. Presto | Antonín Dvořák, Leoš Janáček, Josef Suk, Bohuslav Martinů, Bedřich Smetana, Ciconia Consort, Dick van Gasteren | G Major | 1 | 9B | 86 BPM | ||
Moravian Folk Poetry in Songs, JW V/2: No. 25, Belgrade | Leoš Janáček, Škampa Quartet | B♭ Major | 3 | 6B | 126 BPM | ||
Pavane pour une infante défunte, M. 19 | Maurice Ravel, Anna Vinnitskaya | E Minor | 0 | 9A | 67 BPM | ||
Sarcasms for Piano, Op. 17: III. Allegro precipitato | Sergei Prokofiev, Daniil Trifonov | F Minor | 3 | 4A | 106 BPM | ||
3 Romanzen, Op. 28: No. 2 in F-Sharp Major (Einfach) | Robert Schumann, Benjamin Grosvenor | B Major | 7 | 1B | 142 BPM |
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