"Bruckner: Symphony No. 4 in E-Flat Major "Romantic": I. Bewegt, nicht zu schnell (1881 Haas Version) [Live at Philharmonie am Gasteig, Munich, 16.X.1988]" by Anton Bruckner, Sergiu Celibidache, Munich Philharmonic Orchestra was released on 1998. Bruckner: Symphony No. 4 in E-Flat Major "Romantic": I. Bewegt, nicht zu schnell (1881 Haas Version) [Live at Philharmonie am Gasteig, Munich, 16.X.1988] appears to be safe for all ages as it is not explicit. The song is number 1 out of 4 in Bruckner: Symphony No. 4, "Romantic" by Anton Bruckner, Sergiu Celibidache, Munich Philharmonic Orchestra. Based on our statistics, Bruckner: Symphony No. 4 in E-Flat Major "Romantic": I. Bewegt, nicht zu schnell (1881 Haas Version) [Live at Philharmonie am Gasteig, Munich, 16.X.1988]'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bruckner: Symphony No. 4 in E-Flat Major "Romantic": I. Bewegt, nicht zu schnell (1881 Haas Version) [Live at Philharmonie am Gasteig, Munich, 16.X.1988] by Anton Bruckner, Sergiu Celibidache, Munich Philharmonic Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Khovanshchina: Overture (Prelude) | Modest Mussorgsky, Mariinsky Orchestra, Valery Gergiev | D♭ Major | 0 | 3B | 90 BPM | ||
Berlioz: Symphonie fantastique, H. 48: Vc. Ronde du Sabbat | Hector Berlioz, Munich Philharmonic Orchestra, Sergiu Celibidache | C Minor | 3 | 5A | 82 BPM | ||
Rehearsal: ' habt ihr das verwirklicht ...' | Sergiu Celibidache | D Major | 1 | 10B | 142 BPM | ||
Lohengrin, Act III: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | G Major | 2 | 9B | 94 BPM | ||
Berlioz: Symphonie fantastique, H. 48: Vb. Dies Irae | Hector Berlioz, Munich Philharmonic Orchestra, Sergiu Celibidache | C Minor | 0 | 5A | 72 BPM | ||
String Quartet No. 2 in D Major: II. Scherzo: Allegro | Alexander Borodin, Budapest Haydn Quartet | F Major | 1 | 7B | 107 BPM | ||
Symphony No. 9 in E-Flat Major, Op. 70: I. Allegro | Dmitri Shostakovich, Valéry Gergiev, Mariinsky Orchestra | A♭ Major | 3 | 4B | 128 BPM | ||
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": Adoration of the Earth - Dance of the Earth | Igor Stravinsky, City Of Birmingham Symphony Orchestra, Sir Simon Rattle | D Minor | 4 | 7A | 115 BPM | ||
The Rite of Spring: Part Two: The Sacrifice: Ritual Action of the Ancestors | Igor Stravinsky, Teodor Currentzis, musicAeterna | G Major | 0 | 9B | 110 BPM | ||
Printemps, L. 61: I. Très modéré | Claude Debussy, Pierre Boulez, New Philharmonia Orchestra | G Major | 0 | 9B | 137 BPM |
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