"Concerto for Piano and Orchestra No. 2 in A major: Quasi Adagio- Allegretto Vivace- Allegro Animato" by Czech Philharmonic Orchestra was released on April 1, 2010. Since Concerto for Piano and Orchestra No. 2 in A major: Quasi Adagio- Allegretto Vivace- Allegro Animato is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in 100 World Classical Masterpieces, so we believe that "Concerto for Piano and Orchestra No. 2 in A major: Quasi Adagio- Allegretto Vivace- Allegro Animato" is a single. In terms of popularity, Concerto for Piano and Orchestra No. 2 in A major: Quasi Adagio- Allegretto Vivace- Allegro Animato is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto for Piano and Orchestra No. 2 in A major: Quasi Adagio- Allegretto Vivace- Allegro Animato by Czech Philharmonic Orchestra is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt Suite No.1 op. 46 Morning (Allegro pastorale) | Academy of St. Martin in the Fields | E Major | 0 | 12B | 68 BPM | ||
Má vlast: Šárka | Bedřich Smetana, Czech Philharmonic Orchestra, Karel Ančerl | F♯ Minor | 1 | 11A | 71 BPM | ||
Grand Galop chromatique in E-Flat Major, S. 219 | Franz Liszt, Lang Lang | A♭ Major | 3 | 4B | 153 BPM | ||
Capriol Suite: 2. Pavane | Peter Warlock, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 0 | 6B | 160 BPM | ||
Rusalka, Op. 114 / Act 3: Mám, zlaté vlásky mám | Antonín Dvořák, Dana Buresova, Livia Aghova, Hana Minutillo, Franz Hawlata, Kühn Mixed Choir, Czech Philharmonic Orchestra, Sir Charles Mackerras | A Major | 2 | 11B | 135 BPM | ||
組曲仮面舞踏会 1. ワルツ | Aram Khachaturian, 山田和樹, Czech Philharmonic Orchestra | C Major | 3 | 8B | 94 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Allegro con brio | Sergei Prokofiev, Yuri Temirkanov | E Minor | 0 | 9A | 99 BPM | ||
The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Henry Purcell, Op. 34: Theme | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | B♭ Major | 1 | 6B | 83 BPM | ||
The Gadfly Suite, Op. 97a: V. Barrel-Organ Waltz | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | B♭ Major | 1 | 6B | 105 BPM | ||
Symphony No. 1 in D Major "Titan": II. Kräftig bewegt, doch nicht zu schnell | Gustav Mahler, Czech Philharmonic, Semyon Bychkov | A Major | 1 | 11B | 139 BPM |
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