"Cello Concerto in C, H.VIIb, No.1: 2. Adagio" by Joseph Haydn, Jian Wang, The Gulbenkian Orchestra, Muhai Tang was released on January 1, 1999. Since Cello Concerto in C, H.VIIb, No.1: 2. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Franz Joseph Haydn, Gulbenkian Foundation Chamber Orchestra, Muhai Tang's "Haydn: Cello Concertos" album is number 2 out of 6. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Cello Concerto in C, H.VIIb, No.1: 2. Adagio is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cello Concerto in C, H.VIIb, No.1: 2. Adagio by Joseph Haydn, Jian Wang, The Gulbenkian Orchestra, Muhai Tang to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in F Major, Op. 7, No. 9: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | F Major | 1 | 7B | 164 BPM | ||
Symphony in G Major, Bryan G6: II. Andante molto grazioso | Johann Baptist Vanhal, Toronto Chamber Orchestra, Kevin Mallon | D Major | 0 | 10B | 74 BPM | ||
Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM | ||
Overture in G Major, TWV 55:10 "Burlesque de Quixotte": Ses soupirs amoureux après la Princesse Dulcinée | Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire | G Major | 0 | 9B | 117 BPM | ||
Sonata for Violin and Basso Continuo in G Major, TWV 41:G1: II. Allegro | Georg Philipp Telemann, Boris Begelman | F♯ Major | 4 | 2B | 116 BPM | ||
Après un rêve (Arr. by Söllscher) | Gabriel Fauré, Jian Wang, Göran Söllscher | F Minor | 1 | 4A | 100 BPM | ||
Violin Concerto No. 4 in D Minor, Op. 31: II. Adagio religioso | Henri Vieuxtemps, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | E♭ Major | 1 | 5B | 66 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.5 in D major BWV850 | Daniel Barenboim | D Major | 1 | 10B | 72 BPM | ||
Franck: Violin Sonata in A Major, FWV 8: I. Allegretto ben moderato | César Franck, Renaud Capuçon, Khatia Buniatishvili | F♯ Minor | 1 | 11A | 73 BPM | ||
Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM |
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