Six Preludes and Fugues, K.404a: Fugue II (from Bach's Wohltemperierte Klavier II/14, BWV 883) by Wolfgang Amadeus Mozart, Grumiaux Trio

Song Analysis

Audio information that is featured on Six Preludes and Fugues, K.404a: Fugue II (from Bach's Wohltemperierte Klavier II/14, BWV 883) by Wolfgang Amadeus Mozart, Grumiaux Trio.

Acousticness

99%

Energy

34%

Liveness

18%

Speechiness

4%

Danceability

51%

Instrumentalness

36%

Loudness

82%

Valence

57%

Harmonic Matches

Find songs that harmonically matches to Six Preludes and Fugues, K.404a: Fugue II (from Bach's Wohltemperierte Klavier II/14, BWV 883) by Wolfgang Amadeus Mozart, Grumiaux Trio. Listed below are tracks with similar keys and BPM to the track where the track can be harmonically mixed.

Track Artist Key Energy Camelot BPM
Piano Concerto No. 18 in B-Flat Major, K. 456: II. Andante un poco sostenuto by Martha Argerich, Bavarian Radio Symphony OrchestraPiano Concerto No. 18 in B-Flat Major, K. 456: II. Andante un poco sostenutoMartha Argerich, Bavarian Radio Symphony OrchestraG Minor16A85
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Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi: Sinfonia by Vincenzo Bellini, Orchestra La Scintilla, Giovanni AntoniniNorma - Critical Edition by Maurizio Biondi and Riccardo Minasi: SinfoniaVincenzo Bellini, Orchestra La Scintilla, Giovanni AntoniniG Minor26A79
Orfeo ed Euridice: Act II, Scene 1, Ballo e Coro (Maestoso): Chi mai dell'Erebo by Christoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Freiburger BarockorchesterOrfeo ed Euridice: Act II, Scene 1, Ballo e Coro (Maestoso): Chi mai dell'EreboChristoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Freiburger BarockorchesterG Minor06A134
Menuet in G Minor (trans. W. Kempff) by Wilhelm Kempff, George Frideric Handel, Idil BiretMenuet in G Minor (trans. W. Kempff)Wilhelm Kempff, George Frideric Handel, Idil BiretG Minor06A73
Sonata No. 44 in G Minor: II. Allegretto by Sviatoslav RichterSonata No. 44 in G Minor: II. AllegrettoSviatoslav RichterG Minor06A110
Wieniawski : Légende Op.17 by Henryk Wieniawski, Maxim VengerovWieniawski : Légende Op.17Henryk Wieniawski, Maxim VengerovG Minor16A81
Klavierkonzert Für Klavier Und Orchester Nr. 27 In B-Dur, KV 595: 3. Satz by Alfred Brendel, Vienna Volksoper OrchestraKlavierkonzert Für Klavier Und Orchester Nr. 27 In B-Dur, KV 595: 3. SatzAlfred Brendel, Vienna Volksoper OrchestraB♭ Major16B77
Sonata No. 16 in B Flat Major, III. Allegretto by Maria João PiresSonata No. 16 in B Flat Major, III. AllegrettoMaria João PiresB♭ Major26B140
Piano Sonata in F Major, KV332: II. Adagio by Ingrid HaeblerPiano Sonata in F Major, KV332: II. AdagioIngrid HaeblerB♭ Major06B73
Kreisleriana, Op. 16: 1. Äusserst bewegt by Vladimir HorowitzKreisleriana, Op. 16: 1. Äusserst bewegtVladimir HorowitzB♭ Major16B105
SCHUBERT: SONATA FOR PIANO IN B FLAT D960: ALLEGRO MA NON TROPPO by Stephen KovacevichSCHUBERT: SONATA FOR PIANO IN B FLAT D960: ALLEGRO MA NON TROPPOStephen KovacevichB♭ Major16B149
Piano Sonata No. 13 In B Flat Major, K. 333: III. Allegretto Grazioso by Jenő Jandó, Wolfgang Amadeus MozartPiano Sonata No. 13 In B Flat Major, K. 333: III. Allegretto GraziosoJenő Jandó, Wolfgang Amadeus MozartB♭ Major16B82
Waldscenen, Op. 82: No. 3. Einsame Blumen (Solitary Flowers) by Robert Schumann, Martin HelmchenWaldscenen, Op. 82: No. 3. Einsame Blumen (Solitary Flowers)Robert Schumann, Martin HelmchenB♭ Major06B80
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Sonata No. 16 in B Flat Major, I. Allegro by Maria João PiresSonata No. 16 in B Flat Major, I. AllegroMaria João PiresB♭ Major16B161
Symphony No. 33 KV319 in B flat Major: Allegro assai by Academy of St. Martin in the Fields, Iona BrownSymphony No. 33 KV319 in B flat Major: Allegro assaiAcademy of St. Martin in the Fields, Iona BrownB♭ Major16B90
Piano Sonata No. 13 In B Flat Major, K. 333: I. Allegro by Jenő Jandó, Wolfgang Amadeus MozartPiano Sonata No. 13 In B Flat Major, K. 333: I. AllegroJenő Jandó, Wolfgang Amadeus MozartB♭ Major16B127
Piano Concerto No. 18 in B-Flat Major, K. 456: III. Allegro vivace by Martha Argerich, Bavarian Radio Symphony OrchestraPiano Concerto No. 18 in B-Flat Major, K. 456: III. Allegro vivaceMartha Argerich, Bavarian Radio Symphony OrchestraB♭ Major36B156
Variations on a Theme by Haydn for Two Pianos, Op. 56b: Thema. Chorale St. Antoni by Murray Perahia, Sir Georg SoltiVariations on a Theme by Haydn for Two Pianos, Op. 56b: Thema. Chorale St. AntoniMurray Perahia, Sir Georg SoltiB♭ Major06B98
Violin Concerto No.1 in B Flat Major, K. 207: I. Allegro moderato by Arthur GrumiauxViolin Concerto No.1 in B Flat Major, K. 207: I. Allegro moderatoArthur GrumiauxB♭ Major46B137
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Six Preludes and Fugues, K.404a: Fugue II (from Bach's Wohltemperierte Klavier II/14, BWV 883) by Wolfgang Amadeus Mozart, Grumiaux Trio Information

This song is track #438 in Autumn Classical: Mozart by Wolfgang Amadeus Mozart, Grumiaux Trio, which has a total of 490 tracks. The duration of this track is 2:53 and was released on October 11, 2021. As of now, this track is currently not as popular as other songs out there. Six Preludes and Fugues, K.404a: Fugue II (from Bach's Wohltemperierte Klavier II/14, BWV 883) doesn't provide as much energy as other songs but, this track can still be danceable to some people.

Six Preludes and Fugues, K.404a: Fugue II (from Bach's Wohltemperierte Klavier II/14, BWV 883) BPM

Six Preludes and Fugues, K.404a: Fugue II (from Bach's Wohltemperierte Klavier II/14, BWV 883) has a BPM of 101. Since this track has a tempo of 101, the tempo markings of this song would be Andante (at a walking pace). Overall, we believe that this song has a slow tempo.

Six Preludes and Fugues, K.404a: Fugue II (from Bach's Wohltemperierte Klavier II/14, BWV 883) Key

The key of Six Preludes and Fugues, K.404a: Fugue II (from Bach's Wohltemperierte Klavier II/14, BWV 883) is G Minor. In other words, for DJs who are harmonically matchings songs, the Camelot key for this track is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

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