Jesus Christus, unser Heiland, BWV 364 by Johann Sebastian Bach, Kölner Akademie, Michael Alexander Willens, Kölner Akademie choir

Song Analysis

Audio information that is featured on Jesus Christus, unser Heiland, BWV 364 by Johann Sebastian Bach, Kölner Akademie, Michael Alexander Willens, Kölner Akademie choir.

Acousticness

82%

Energy

6%

Liveness

11%

Speechiness

4%

Danceability

22%

Instrumentalness

9%

Loudness

60%

Valence

41%

Harmonic Matches

Find songs that harmonically matches to Jesus Christus, unser Heiland, BWV 364 by Johann Sebastian Bach, Kölner Akademie, Michael Alexander Willens, Kölner Akademie choir. Listed below are tracks with similar keys and BPM to the track where the track can be harmonically mixed.

Track Artist Key Energy Camelot BPM
Suite in G Major, RCT 6: No. 14, Les sauvages - Arr. for Solo Cello - Nouvelles suites de pièces de clavecin by Jean-Philippe Rameau, Christian-Pierre La MarcaSuite in G Major, RCT 6: No. 14, Les sauvages - Arr. for Solo Cello - Nouvelles suites de pièces de clavecinJean-Philippe Rameau, Christian-Pierre La MarcaF♯ Minor311A85
Handel : Suite in G major HWV350, 'Water Music' : III Menuet I & II by George Frideric Handel, John Eliot Gardiner, English Baroque SoloistsHandel : Suite in G major HWV350, 'Water Music' : III Menuet I & IIGeorge Frideric Handel, John Eliot Gardiner, English Baroque SoloistsF♯ Minor011A112
The Fairy Queen, Z. 629: Prelude by Henry Purcell, Vox Orchester, Lorenzo GhirlandaThe Fairy Queen, Z. 629: PreludeHenry Purcell, Vox Orchester, Lorenzo GhirlandaF♯ Minor411A113
Sonatas and Partitas for solo violin BWV 1001-1006, Sonata No. 1 in G minor BWV 1001: IV. Presto by Monica HuggettSonatas and Partitas for solo violin BWV 1001-1006, Sonata No. 1 in G minor BWV 1001: IV. PrestoMonica HuggettF♯ Minor111A110
Bwv 639: Choral Ich Ruf Zu Dir, Herr Jesu Christ by Ton KoopmanBwv 639: Choral Ich Ruf Zu Dir, Herr Jesu ChristTon KoopmanF♯ Minor011A62
Atys, LWV 53, Acte III, Scène 4: Prélude. Atys, LWV 53, Acte III, Scène 4: Prélude. "Dormons, dormons tous" (Le Sommeil)Jean-Baptiste Lully, Gilles Ragon, Jean-Paul Fouchécourt, Bernard Deletré, Michel Laplénie, Les Arts Florissants, William ChristieF♯ Minor011A100
Harmonia Artificioso Ariosa, Partia V in G Minor, C. 66: Passacaglia by Heinrich Ignaz Franz von Biber, Lautten Compagney, Wolfgang KatschnerHarmonia Artificioso Ariosa, Partia V in G Minor, C. 66: PassacagliaHeinrich Ignaz Franz von Biber, Lautten Compagney, Wolfgang KatschnerF♯ Minor111A94
Werther / Act 3: Werther / Act 3: "Pourquoi me réveiller" (Adapt. For Cello And Orchestra)Jules Massenet, Camille Thomas, Brussels Philharmonic, Mathieu HerzogF♯ Minor111A87
Fuge G-Moll BWV 578 by Ton KoopmanFuge G-Moll BWV 578Ton KoopmanF♯ Minor311A77
Bononcini: Chi d'Amor tra le catene - Duetto: Chi d'amor by Philippe JarousskyBononcini: Chi d'Amor tra le catene - Duetto: Chi d'amorPhilippe JarousskyF♯ Minor111A97
Concerto In G Minor RV 107 by FlorilegiumConcerto In G Minor RV 107FlorilegiumF♯ Minor111A101
Le Bourgeois Gentilhomme - Comédie-Ballet, LWV 43: Ouverture by Jean-Baptiste Lully, Gustav Leonhardt, La Petite BandeLe Bourgeois Gentilhomme - Comédie-Ballet, LWV 43: OuvertureJean-Baptiste Lully, Gustav Leonhardt, La Petite BandeF♯ Minor111A106
Symphony No.3 in D minor, WAB 103 (Edition Nowak): III. Scherzo. Ziemlich schnell - Trio by Anton Bruckner, Christian Thielemann, Wiener PhilharmonikerSymphony No.3 in D minor, WAB 103 (Edition Nowak): III. Scherzo. Ziemlich schnell - TrioAnton Bruckner, Christian Thielemann, Wiener PhilharmonikerA Major211B104
Partita, No. 1 in B-Flat Major, BWV 825: V. Menuett I & II by Christiane JaccottetPartita, No. 1 in B-Flat Major, BWV 825: V. Menuett I & IIChristiane JaccottetA Major211B79
Partie 5 en si bémol majeur: Gigue by Johann Pachelbel, Les Cyclopes, Bibiane Lapointe, Thierry Maeder, Manfred Kraemer, Laura Johnson, Nina DiehlPartie 5 en si bémol majeur: GigueJohann Pachelbel, Les Cyclopes, Bibiane Lapointe, Thierry Maeder, Manfred Kraemer, Laura Johnson, Nina DiehlA Major311B123
Concerto a 5 In D Minor, Op.9, No.2 For Oboe, Strings And Continuo: 2. Adagio by Tomaso Albinoni, David Reichenberg, The English Concert, Trevor PinnockConcerto a 5 In D Minor, Op.9, No.2 For Oboe, Strings And Continuo: 2. AdagioTomaso Albinoni, David Reichenberg, The English Concert, Trevor PinnockA Major111B68
Panis angelicus by César Franck, The Choir Of Trinity College, CambridgePanis angelicusCésar Franck, The Choir Of Trinity College, CambridgeA Major011B83
Concerto a cinque No. 2, Op. 9: II. Adagio by Tomaso Albinoni, Paul Dombrecht, Il FondamentoConcerto a cinque No. 2, Op. 9: II. AdagioTomaso Albinoni, Paul Dombrecht, Il FondamentoA Major111B45
Partita, No. 1 in B-Flat Major, BWV 825: I. Präludium by Christiane JaccottetPartita, No. 1 in B-Flat Major, BWV 825: I. PräludiumChristiane JaccottetA Major211B108

Jesus Christus, unser Heiland, BWV 364 by Johann Sebastian Bach, Kölner Akademie, Michael Alexander Willens, Kölner Akademie choir Information

This song is track #128 in Cosy Bach by Johann Sebastian Bach, Kölner Akademie, Michael Alexander Willens, Kölner Akademie choir, which has a total of 384 tracks. The duration of this track is 0:44 and was released on October 9, 2021. As of now, this track is currently not as popular as other songs out there. Unfortunately, some songs are not meant to be danced and Jesus Christus, unser Heiland, BWV 364 might be one of them, due to it's low energy and danceability.

Jesus Christus, unser Heiland, BWV 364 BPM

Jesus Christus, unser Heiland, BWV 364 has a BPM of 82. Since this track has a tempo of 82, the tempo markings of this song would be Andante (at a walking pace). Overall, we believe that this song has a slow tempo.

Jesus Christus, unser Heiland, BWV 364 Key

The key of Jesus Christus, unser Heiland, BWV 364 is F♯ Minor. In other words, for DJs who are harmonically matchings songs, the Camelot key for this track is 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

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