"Come Sail Away" by Renée Fleming, Ennio Morricone was released on February 20, 2007. With this song being about 5 minutes long, at 4:52, "Come Sail Away" by Renée Fleming, Ennio Morricone is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of We All Love Ennio Morricone by Various Artists. The song's track number on the album is #7 out of 21 tracks. Based on our data, Italy was the country where this track was produced or recorded. Come Sail Away is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Come Sail Away by Renée Fleming, Ennio Morricone has a tempo of 83 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Come Sail Away being at 83 BPM, the half-time would be 42 BPM with a double-time of 166 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
Ariadne auf Naxos, Op. 60 / Opera: "Es gibt ein Reich" | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | E♭ Major | 2 | 5B | 121 BPM | ||
Elijah, Op. 70, MWV A25 / Part 2: "Behold, God hath sent Elijah the prophet" | Felix Mendelssohn, Renée Fleming, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | D Minor | 1 | 7A | 90 BPM | ||
Così fan tutte, K.588 / Act 1: "Si mora, sì, si mora" - Live | Wolfgang Amadeus Mozart, Frank Lopardo, Olaf Bär, Renée Fleming, Anne Sofie von Otter, Michele Pertusi, Adelina Scarabelli, David Syrus, Chamber Orchestra of Europe, Sir Georg Solti | B♭ Major | 4 | 6B | 98 BPM | ||
Lohengrin, WWV 75: Prelude to Act 1 | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | A Major | 1 | 11B | 72 BPM | ||
Requiem, Op. 48: VII. Libera me | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France, Stéphane Degout | D Minor | 1 | 7A | 74 BPM | ||
The Gadfly Suite, Op. 97: VIII. Romance | Dmitri Shostakovich, Vassily Sinaisky, BBC Philharmonic | D♭ Major | 0 | 3B | 76 BPM | ||
Albinoni: Adagio in G Minor | Tomaso Albinoni, Sir Neville Marriner, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 90 BPM | ||
Symphony No. 5 in C Sharp Minor: IV. Adagietto (conclusion) | New Philharmonia Orchestra, Sir John Barbirolli | F Major | 1 | 7B | 114 BPM | ||
Gloria in D, RV 589: II. Et in terra pax hominibus | Antonio Vivaldi, Choir of King's College, Cambridge, Stephen Cleobury, Academy of Ancient Music | B♭ Minor | 2 | 3A | 130 BPM |
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