Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz made "Part I. Overture in E minor: VII. Gigue" available on October 21, 2010. The duration of Part I. Overture in E minor: VII. Gigue is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Part I. Overture in E minor: VII. Gigue's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 69 in the song's album "Telemann: Complete Tafelmusik". In this album, this song's track order is #7. In terms of popularity, Part I. Overture in E minor: VII. Gigue is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Part I. Overture in E minor: VII. Gigue by Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto 1 in D Minor, Op. 7: III. Vivace | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | D♭ Minor | 2 | 12A | 142 BPM | ||
Concerto for three violins BWV 1064R in D Major: Concerto for three violins BWV 1064R in D Major: I. | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz, Anne-Katharina Schreiber, Petra Mullejans | D♭ Major | 3 | 3B | 96 BPM | ||
Les plaisirs: 2e Entree | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | B Minor | 1 | 10A | 79 BPM | ||
Overture (Suite) In D Major, TWV 55:D15: II. Menuet I - II | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 0 | 10B | 122 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: III. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | G Minor | 1 | 6A | 61 BPM | ||
Concerto In C Minor for Alto Recorder & Strings, P 440: Largo | Thierry Perenoud, The Baroque Soloists Of Amsterdam | E Minor | 0 | 9A | 130 BPM | ||
Concerto For Flute, Violin, Harpsichord, And Strings In A Minor, BWV 1044: 2. Adagio ma non tanto e dolce | Johann Sebastian Bach, Wilbert Hazelzet, Reinhard Goebel, Andreas Staier, Musica Antiqua Köln | C Major | 3 | 8B | 103 BPM | ||
Benjamin / Cimarosa / Arr Balsom: Oboe Concerto in C Minor: IV. Allegro giusto | Domenico Cimarosa, Alison Balsom, Scottish Ensemble | C Major | 2 | 8B | 100 BPM | ||
Concerto Grosso in D Minor, Op. 2, No. 5: II. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | D Minor | 2 | 7A | 110 BPM | ||
Concerto No. 2 in E Major, SF 938 "La Cetra": I. Allegro assai | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso | E♭ Major | 1 | 5B | 107 BPM |
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