"Misa mozárabe: I. Praelegendum" by Anonymous, Dom Ismael Fernández de la Cuesta, Coro de Monjes de la Abadía de Santo Domingo de Silos was released on January 1, 1969. The duration of Misa mozárabe: I. Praelegendum is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Misa mozárabe: I. Praelegendum's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "The Mystery Of Santo Domingo De Silos". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. Based on our statistics, Misa mozárabe: I. Praelegendum's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Misa mozárabe: I. Praelegendum by Anonymous, Dom Ismael Fernández de la Cuesta, Coro de Monjes de la Abadía de Santo Domingo de Silos having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viderunt omnes: ...fines terre salutare dei nostri jubilate deo omnis terra (plainchant) | Pérotin, Tonus Peregrinus, Antony Pitts | A♭ Major | 2 | 4B | 111 BPM | ||
De ma dame vient | Adam de la Halle, Martyn Hill, Paul Elliott, Early Music Consort Of London, David Munrow | C Major | 2 | 8B | 82 BPM | ||
Liturgy of St. John Chrysostom for Chorus, Op. 31: I. "The Great Ektenia..." | Sergei Rachmaninoff, Valery Polyansky, State Symphony Capella of Russia | E Minor | 1 | 9A | 91 BPM | ||
Adesto dolori meo | Jacob Clemens non Papa, Musica Sacra | B♭ Major | 1 | 6B | 87 BPM | ||
O sacrum convivium - Antiphona (tonus monasticus) in Honorem SS. Sacramenti | Gregorian Chant, Benedictine Monks of the Abbey of St. Maurice & St. Maur, Clevaux | D♭ Major | 2 | 3B | 129 BPM | ||
Viderunt omnes: ...salutare suum ante conspectum gentium revelavit... | Pérotin, Tonus Peregrinus, Antony Pitts | D♭ Major | 3 | 3B | 86 BPM | ||
Au joly jeu | Clément Janequin, Harmonia Recorder Ensemble | C Major | 0 | 8B | 105 BPM | ||
Magnificat | The Benedictine Abbey of Saint Benôit-Du-Lac, Dom André Saint-Cyr | C Major | 1 | 8B | 70 BPM | ||
Regina Mundi | Monks Of The Abbey Of Notre Dame | B Major | 1 | 1B | 133 BPM | ||
Sing we and chaunt it | Robert Lucas Pearsall, Pre-Raphaelite Singer, The, Anthony Rooley | D♭ Minor | 2 | 12A | 107 BPM |
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