Bach - Passacaglia and Fugue in C Minor, P. 159 (after J.S. Bach's BWV 582) - Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz Information

Acousticness: 94%
Danceability: 18%
Energy: 9%
Instrumentalness: 85%
Liveness: 9%
Loudness: 67%
Speechiness: 4%
Valence: 8%
Popularity: 25%
Loudness: -19.638 dB

Summary

"Bach - Passacaglia and Fugue in C Minor, P. 159 (after J.S. Bach's BWV 582)" by Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz was released on March 6, 2012. Bach - Passacaglia and Fugue in C Minor, P. 159 (after J.S. Bach's BWV 582) appears to be safe for all ages as it is not explicit. The song is number 10 out of 12 in Bach: Orchestral transcriptions by Respighi & Elgar by Ottorino Respighi, Gerard Schwarz. Based on our statistics, Bach - Passacaglia and Fugue in C Minor, P. 159 (after J.S. Bach's BWV 582)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Bach - Passacaglia and Fugue in C Minor, P. 159 (after J.S. Bach's BWV 582) BPM

The tempo marking of Bach - Passacaglia and Fugue in C Minor, P. 159 (after J.S. Bach's BWV 582) by Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.

Bach - Passacaglia and Fugue in C Minor, P. 159 (after J.S. Bach's BWV 582) Key

This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes	Alexander Borodin, Anima Eterna, Jos Van Immerseel	A Major	0	11B	87 BPM
Symphony No. 6 in B Minor, Op. 74 "Pathétique": III. Allegro molto vivace	Pyotr Ilyich Tchaikovsky, Teodor Currentzis, Musica Aeterna	G Major	5	9B	82 BPM
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): IV. Giga: Vivace assai	Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz	E Minor	0	9A	121 BPM
Simple Symphony, Op. 4: III. Sentimental Sarabande	Benjamin Britten, Camerata Nordica, Terje Tonnesen	G Minor	0	6A	85 BPM
Heimkehr aus der Fremde (Son and Stranger), Op. 89, MWV L6: Overture	Seattle Symphony Orchestra, Felix Mendelssohn, Gerard Schwarz	A Major	1	11B	138 BPM
Capriccio, Op. 85, TrV 279: Mondscheinmusik	Richard Strauss, Wiener Philharmoniker, André Previn	A Major	1	11B	100 BPM
L’arlésienne Suite No. 1, Op. 23bis, WD 40: I. Prélude	Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	C Minor	0	5A	87 BPM
Pictures at an Exhibition (Orch. Ravel): I. Gnomus	Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel	E Major	1	12B	60 BPM
The Magic Flute, K. 620: Overture	Wolfgang Amadeus Mozart, Wilfried Gahmlich, Anna Gonda, Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra, Michael Halasz, Hellen Kwon, Lotte Leitner, Herbert Lippert, Elizabeth Norberg-Schulz, Kurt Rydl, Georg Tichy, Julia Faulkner, Waltraud Winsauer	E♭ Major	1	5B	90 BPM
Ouverture in D Major, "Darmstadt": Harlequinade	Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl	D♭ Major	1	3B	174 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.715991735458374

End: 0.7191870212554932