"Equale No. 1 pour 3 trombones" by Anton Bruckner, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe, Ensemble Musique Oblique was released on 2002. With Equale No. 1 pour 3 trombones being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 13 in Bruckner: Mass in E Minor & Motets by Anton Bruckner, Philippe Herreweghe, Ensemble Musique Oblique, La Chapelle Royale. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Equale No. 1 pour 3 trombones is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Equale No. 1 pour 3 trombones by Anton Bruckner, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe, Ensemble Musique Oblique is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kitzler-Studienbuch (Excerpts): March No. 1 in C Major, WAB 217 | Anton Bruckner, Christoph Eggner | C Major | 3 | 8B | 116 BPM | ||
Requiem in D Minor, Op.48: 7. In paradisum | Gabriel Fauré, Academy of St. Martin in the Fields Chorus, Academy of St. Martin in the Fields, John Birch, Sir Neville Marriner | D Major | 0 | 10B | 175 BPM | ||
Ein deutsches Requiem (A German Requiem), Op. 45: IV. "Wie lieblich sind deine Wohnungen, Herr Zebaoth" (Choir) | Johannes Brahms, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe | E♭ Major | 0 | 5B | 98 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Overture | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Chiome d'oro, SV 143 | Claudio Monteverdi, Sonia Wieder-Atherton | C Major | 1 | 8B | 119 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
Concerto for Trumpet and Orchestra, in E-flat Major Hob.VIIe: 1: I. Allegro | Franz Joseph Haydn, Raymond Leppard, Wynton Marsalis, English Chamber Orchestra | E♭ Major | 1 | 5B | 126 BPM | ||
Divertimento: II. Waltz: Allegretto, con grazia | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | ||
Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique": III. Allegro molto vivace | Pyotr Ilyich Tchaikovsky, Leningrad Philharmonic Orchestra, Evgeny Mravinsky | D Major | 3 | 10B | 156 BPM | ||
Magnificat in D Major, BWV 243: I. Magnificat anima mea Dominum | Johann Sebastian Bach, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe | A Minor | 2 | 8A | 137 BPM |
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