On November 25, 2013, the song "Oboe Concerto in B Flat Major, Op. 9 No. 11: I. Allegro" was released by London Harpsichord Ensemble, Sarah Francis. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 22 out of 24 in Albinoni Oboe Concertos by London Harpsichord Ensemble, Sarah Francis. In terms of popularity, Oboe Concerto in B Flat Major, Op. 9 No. 11: I. Allegro is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Oboe Concerto in B Flat Major, Op. 9 No. 11: I. Allegro by London Harpsichord Ensemble, Sarah Francis is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Музыка На Воде. Сюита №3 Соль Мажор: No. 17, No. 18, No. 17 Da Capo (Ригодон) | Ленинградский Камерный Оркестр | G Major | 4 | 9B | 131 BPM | ||
Symphony in A Major, J-C 62: II. Andante e pianissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 104 BPM | ||
Concerto in B flat for Trumpet, Violin and Strings RV 548 (ed. Malipiero): III. Allegro | Maurice André, Iona Brown, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 1 | 7B | 99 BPM | ||
Concerto for Oboe d'amore, Strings and B.c. "Verdi prati": Grave (from Organconcerto No. 14, HWV 296a) | George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Jakub Haufa, Monika Razynska | D♭ Minor | 1 | 12A | 76 BPM | ||
Concerto Grosso in D Minor, Op. 3, No. 5, HWV 316: II. Fuga: Allegro | George Frideric Handel, Academy of St. Martin in the Fields, Iona Brown | D Minor | 3 | 7A | 79 BPM | ||
Concerto Grosso in G Major, Op. 3, No. 3, HWV 314: III. Allegro | George Frideric Handel, Iona Brown, Philippa Davies, Academy of St. Martin in the Fields | G Major | 1 | 9B | 85 BPM | ||
Symphony in A Major, J-C 62: IIIa. Presto assai | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Major | 2 | 4B | 119 BPM | ||
Concerto No 2 in E minor - Adagio | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | F♯ Major | 2 | 2B | 89 BPM | ||
Sonata in D Minor, Op. 2, No. 2: I. Adagio | Benedetto Marcello, Dan Laurin, Parnassus Avenue | D♭ Minor | 0 | 12A | 76 BPM | ||
Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): IV. Allegro giusto | Arthur Benjamin, Anthony Camden, City of London Sinfonia, Nicholas Ward | C Major | 0 | 8B | 97 BPM |
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