"Halffter: Cello Concerto No. 2: II. Vine a este mundo con ojos y me voy sin ellos" by Cristóbal Halffter, Mstislav Rostropovich, Orchestre National De France was released on 1987. Halffter: Cello Concerto No. 2: II. Vine a este mundo con ojos y me voy sin ellos appears to be safe for all ages as it is not explicit. There are a total of 4 in the song's album "Penderecki: Cello Concerto No. 2 - Halffter: Cello Concerto No. 2". In this album, this song's track order is #3. In terms of popularity, Halffter: Cello Concerto No. 2: II. Vine a este mundo con ojos y me voy sin ellos is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Halffter: Cello Concerto No. 2: II. Vine a este mundo con ojos y me voy sin ellos by Cristóbal Halffter, Mstislav Rostropovich, Orchestre National De France having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Puccini: Tosca, Act 2: "E qual via scegliete?" (Scarpia, Tosca) | Giacomo Puccini, Maria Callas, Tito Gobbi, Victor de Sabata, Orchestra Del Teatro Alla Scala, Milano | D Major | 2 | 10B | 88 BPM | ||
Les passions d'hiver | Rihards Dubra, Trio NYX | C Minor | 1 | 5A | 122 BPM | ||
Az intezett veszedelem vagy Hazy szeretete (Threatening Danger or Love of the Fatherland): I. Az intezett veszedelem (Threatening Danger) | Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay | D Major | 0 | 10B | 115 BPM | ||
Ländler Topographien: No. 2, Topan | Walter Zimmermann, Frankfurt Radio Sinfonie Orchester, Cristóbal Halffter | F Major | 1 | 7B | 59 BPM | ||
Symphony No. 5: IV. Passacaglia. Moderato | Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra | C Minor | 1 | 5A | 123 BPM | ||
Four Pieces from a Distance: No. 4, Children of the Heavenly Father/Amen | Håkon Daniel Nystedt, Oslo Kammerkor, NyNorsk Messingkvintett, Anders Eidsten Dahl | C Major | 0 | 8B | 70 BPM | ||
Pedro y el Lobo: El Logo Agarra Al Pato | Sergei Prokofiev, Ensemble Orquestra De Cadaqués, Leonor Watling, Vasily Petrenko | F Major | 5 | 7B | 118 BPM | ||
The New Four Seasons - Winter: III. Slipping and Falling (After Violin Concerto No. 4, Op. 8, RV 297, III. Allegro, Arr. by Wolf Kerschek) | Antonio Vivaldi, Niklas Liepe, WDR Funkhausorchester, Patrick Lange | F Minor | 2 | 4A | 133 BPM | ||
Grieg: Old Norwegian Romance with Variations, Op. 51: IX. Andante (Orchestral Version) | Edvard Grieg, Paavo Berglund, Bournemouth Symphony Orchestra | E♭ Minor | 1 | 2A | 110 BPM | ||
Synthesis | Selena Ivanova | D Major | 0 | 10B | 98 BPM |
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