Anton Webern, Maurizio Pollini's 'Variations for Piano, Op. 27: 2. Sehr schnell' came out on January 1, 1995. With Variations for Piano, Op. 27: 2. Sehr schnell being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 13 in the song's album "Stravinsky: Three Dances from Petruschka'/ Prokofiev: Piano Sonata No.7 / Webern: Piano Variations". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Germany. In terms of popularity, Variations for Piano, Op. 27: 2. Sehr schnell is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
With Variations for Piano, Op. 27: 2. Sehr schnell by Anton Webern, Maurizio Pollini having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Seven Last Words of Christ, Hob.XX:2: The Seven Last Words of Christ, Hob.XX:2: Introduzione. Maestoso ed adagio | Franz Joseph Haydn, Cuarteto Casals | D Minor | 0 | 7A | 83 BPM | ||
Ives / Orch. Brant: A Concord Symphony: III. The Alcotts | Charles Ives, Henry Brant, San Francisco Symphony, Michael Tilson Thomas | E♭ Major | 1 | 5B | 91 BPM | ||
Sonata for Violin and Piano in A: 4. Allegretto poco mosso | César Franck, Kaja Danczowska, Krystian Zimerman | E Major | 0 | 12B | 87 BPM | ||
String Quartet No.1, Sz.40: I. Lento | Béla Bartók, Belcea Quartet | A♭ Major | 0 | 4B | 86 BPM | ||
Piano Sonata No. 21 In B Flat Major, D.960: II. Andante sostenuto | Franz Schubert, Krystian Zimerman | D♭ Minor | 0 | 12A | 134 BPM | ||
3 Preludi Sopra Melodie Gregoriane, P. 131: I. Molto Lento | Ottorino Respighi, Konstantin Scherbakov | A♭ Minor | 0 | 1A | 70 BPM | ||
Morceaux de fantaisie, Op. 3: 5 Morceaux de fantasie, Op. 3: No. 2. Prelude in C-Sharp Minor | Sergei Rachmaninoff, Eldar Nebolsin | A Major | 1 | 11B | 91 BPM | ||
Dutilleux: Blackbird | Henri Dutilleux, Anne Queffélec | D♭ Major | 1 | 3B | 180 BPM | ||
12 Notations pour piano: I Fantasque - Modéré | Pierre Boulez, David Fray | D♭ Major | 0 | 3B | 79 BPM | ||
Ma mère l'oye, M.60: 1. Pavane de la Belle au bois dormant: Lent | Maurice Ravel, Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | C Major | 0 | 8B | 105 BPM |
Section: 0.6727519035339355
End: 0.6765525341033936