"Ave Maria" by Charles Gounod, Bratislava Chamber Ensemble, Bratislava Radio Symphony Orchestra, Slovak Philharmonic was released on 1995. The duration of Ave Maria is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Ave Maria's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Bratislava Chamber Ensemble, Bratislava Radio Symphony Orchestra, Slovak Philharmonic's "Les grands classiques de Mozart à Beethoven" album is number 6 out of 12. Ave Maria is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ave Maria by Charles Gounod, Bratislava Chamber Ensemble, Bratislava Radio Symphony Orchestra, Slovak Philharmonic to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
Peer Gynt Suite No. 1, Op. 46: I. Le Matin | Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 67 BPM | ||
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM | ||
Le carnaval des animaux, R. 125: 13. Le cygne | Camille Saint-Saëns, Wolfgang Herzer, Alfons Kontarsky, Aloys Kontarsky, Karl Böhm | G Major | 0 | 9B | 101 BPM | ||
The Seasons, Op. 37b: VI. June, "Barcarolle" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Minor | 0 | 6A | 87 BPM | ||
Roméo et Juliette, CG 9: Ah! Lève-toi, soleil! | Charles Gounod, Jules Barbier, Michel Carré, Fernando De La Mora, Welsh National Opera Orchestra, Sir Charles Mackerras | B♭ Major | 2 | 6B | 91 BPM | ||
Concerto en do majeur pour mandoline & cordes, Rv 425: Largo | Antonio Vivaldi, Orchestre de Chambre National de Toulouse, Alain Moglia, Hugues Navez | A Minor | 0 | 8A | 171 BPM | ||
Sarabande pour cordes et basse continue | George Frideric Handel, Ensemble instrumental de France, Philip Bride, Joël Pontet | E♭ Major | 2 | 5B | 111 BPM | ||
Symphony No.3 in F, Op.90: 3. Poco allegretto | Johannes Brahms, Cleveland Orchestra, Lorin Maazel | C Minor | 0 | 5A | 75 BPM | ||
Piano Concerto No.2 In C Minor, Op.18: 1. Moderato - Excerpt | Sergei Rachmaninoff, Sviatoslav Richter, Warsaw National Philharmonic Orchestra, Stanisław Wisłocki | C Minor | 3 | 5A | 68 BPM |
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