"Capriccio for 2 Violins Op. 8 No. 14, "Per sonare il violino con tre corde a modo di lira"" by Biagio Marini, Repicco was released on October 20, 2017. The duration of Capriccio for 2 Violins Op. 8 No. 14, "Per sonare il violino con tre corde a modo di lira" is about 3 minutes long, at 3:22. Based on our data, "Capriccio for 2 Violins Op. 8 No. 14, "Per sonare il violino con tre corde a modo di lira"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 13 in Assassini, assassinati by Repicco. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Capriccio for 2 Violins Op. 8 No. 14, "Per sonare il violino con tre corde a modo di lira" is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Capriccio for 2 Violins Op. 8 No. 14, "Per sonare il violino con tre corde a modo di lira" by Biagio Marini, Repicco is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Etude No. 12 | Philip Glass, Lavinia Meijer | B♭ Major | 1 | 6B | 135 BPM | ||
From Jewish Life, B. 55: III. Jewish Song | Ernest Bloch, Sol Gabetta | A♭ Major | 1 | 4B | 112 BPM | ||
Folias (Imperfectas) | Andrew Lawrence-King | G Major | 1 | 9B | 131 BPM | ||
Sonata No. 3 | Ignazio Albertini, Repicco | D Major | 2 | 10B | 121 BPM | ||
Vocalise-étude en forme de Habanera, M.51 | Maurice Ravel, Todd Levy, Jeannie Yu | C Minor | 0 | 5A | 69 BPM | ||
Suite, TWV 55:B8: Scaramouche - Arranged for Violin and Cimbalom | Georg Philipp Telemann, Marcel Comendant, Il Suonar Parlante Orchestra, Vittorio Ghielmi, Stanislav Palúch | D Minor | 6 | 7A | 142 BPM | ||
Flow, My Tears (Arr. for Viola & Accordion) | John Dowland, Duo van Vliet | C Minor | 0 | 5A | 96 BPM | ||
Minim | Johann Sebastian Bach, Dustin O'Halloran | C Minor | 1 | 5A | 130 BPM | ||
Les Folies d'Espagne | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | D♭ Minor | 0 | 12A | 108 BPM | ||
Flowering Jasmine | Georgs Pelēcis, Gidon Kremer | A Minor | 0 | 8A | 135 BPM |
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