"The Blue Danube Waltz, Op. 314" by Johann Strauss II, Tasmanian Symphony Orchestra, Marko Letonja was released on November 11, 2016. The Blue Danube Waltz, Op. 314 appears to be safe for all ages as it is not explicit. The track order of this song in Johann Strauss II, Lorina Gore, Marko Letonja, Tasmanian Symphony Orchestra's "Johann Strauss: Waltzes and Arias" album is number 11 out of 11. On top of that, Australia appears to be the country where this track was created. In terms of popularity, The Blue Danube Waltz, Op. 314 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Blue Danube Waltz, Op. 314 by Johann Strauss II, Tasmanian Symphony Orchestra, Marko Letonja to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sylvia - Suite (2002 - Remaster): Pizzicati | Léo Delibes, New Philharmonia Orchestra, Sir Charles Mackerras | C Minor | 0 | 5A | 143 BPM | ||
Peer Gynt Suite No.1 op. 46 Morning (Allegro pastorale) | Academy of St. Martin in the Fields | E Major | 0 | 12B | 68 BPM | ||
Violin Concerto No. 2 in G Minor, RV 315, "L'Estate": III. Presto | Antonio Vivaldi, Vladimir Spivakov | C Minor | 4 | 5A | 158 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
Roses from the South - Waltz Op. 388 | Johann Strauss II, Hallé, Bramwell Tovey | F Major | 1 | 7B | 98 BPM | ||
BOCCHERINI-MINUET FROM STRING QUINTET | 101 Strings Orchestra | A Major | 1 | 11B | 86 BPM | ||
Samson et Dalila: Bacchanale | Camille Saint-Saëns, Royal Stockholm Philharmonic Orchestra, James DePreist | D Minor | 1 | 7A | 122 BPM | ||
Les contes d'Hoffmann: Les oiseaux dans la charmille | Jacques Offenbach, Susanne Elmark, Sønderjyllands Symfoniorkester, Robert Reimer | A♭ Major | 1 | 4B | 86 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
Dvořák: Humoresque in G-Flat Major, Op. 101 No. 7, B. 187: No. 7 | Antonín Dvořák, Salonorchester Colln | G Major | 1 | 9B | 116 BPM |
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