On October 21, 2010, the song "Part III. Overture in B-Flat Major: IV. Postillons" was released by Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz. With Part III. Overture in B-Flat Major: IV. Postillons being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 69 in the song's album "Telemann: Complete Tafelmusik". In this album, this song's track order is #4. Based on our statistics, Part III. Overture in B-Flat Major: IV. Postillons's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Part III. Overture in B-Flat Major: IV. Postillons by Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz having a BPM of 145 with a half-time of 72 BPM and a double-time of 290 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Six Sonates melees de pieces, Op. 2 No. 2, Flute Sonata in D Minor, "Le Vibray": V. Allegro | Michel Blavet, Rachel Brown, Mark Caudle, James Johnstone | C Minor | 1 | 5A | 129 BPM | ||
Musique de table, Part III: Conclusion in B-Flat Major, TWV 50:10: I. Allegro - Adagio - Allegro | Georg Philipp Telemann, Orchestra of the Golden Age | D♭ Major | 2 | 3B | 114 BPM | ||
Pars III In A Minor: III. Aria (Biber) | Heinrich Ignaz Franz von Biber, Masques, Olivier Fortin | A♭ Minor | 2 | 1A | 65 BPM | ||
Suite in G Minor: Plainte | Marin Marais, London Baroque | F♯ Minor | 2 | 11A | 124 BPM | ||
Naïs - Air de Triomphe | Jean-Philippe Rameau, Jordi Savall, Le Concert Des Nations | F♯ Major | 3 | 2B | 75 BPM | ||
Mystery (Rosary) Sonata No. 6, "Christ on the Mount of Olives"*: III. Adagio | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | B Minor | 0 | 10A | 119 BPM | ||
Concerto for Oboe, Strings and Basso Continuo in G Minor, Op. 8 No. 5: II. Allegro assai - Adagio | Giuseppe Sammartini, Albrecht Mayer, Luca Pianca, Andrea Zucco, I Musici | B♭ Major | 2 | 6B | 120 BPM | ||
Concerto in F Major, S. 235: 5. Allegro | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 120 BPM | ||
Trumpet Concerto No. 1 in D Major, MWV 6:32: III. Allegro | Johann Melchior Molter, Niklas Eklund, Drottningholm Baroque Ensemble, Nils-Erik Sparf | A♭ Major | 2 | 4B | 91 BPM | ||
Symphony No. 40 in G Minor, K. 550: Symphony No. 40 in G Minor, K. 550: I. Molto allegro | Wolfgang Amadeus Mozart, Freiburger Barockorchester, René Jacobs | G Minor | 2 | 6A | 115 BPM |
Section: 0.6971571445465088
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