May 1, 2021
Audio information that is featured on Totentanz, S. 126 by Franz Liszt, György Cziffra Jr., Orchestre de Paris.
Find songs that harmonically matches to Totentanz, S. 126 by Franz Liszt, György Cziffra Jr., Orchestre de Paris. Listed below are tracks with similar keys and BPM to the track where the track can be harmonically mixed.
|Má vlast (My Country): No. 5, Tábor||Bedřich Smetana, Polish National Radio Symphony Orchestra, Antoni Wit||D Minor||0||7A||121|
|Gluck / Arr Kreisler: Orfeo ed Euridice, Wq. 30, Act 2: Dance of the Blessed Spirits||Christoph Willibald Gluck, Camille Berthollet, Guillaume Vincent||D Minor||1||7A||78|
|Mahler: Piano Quartet in A Minor||Gustav Mahler, Borodin Quartet||D Minor||1||7A||103|
|Lyric Pieces Book IV, Op.47: No. 3 Melodie||Edvard Grieg, Emil Gilels||D Minor||0||7A||73|
|Melodie from "Orfeo ed Euridice" (Dance of the Blessed Spirits) - Arr. Giovanni Sgambati||Christoph Willibald Gluck, Evgeny Kissin||D Minor||0||7A||103|
|Orphée et Eurydice: Melodie (Arr. for Piano)||Christoph Willibald Gluck, Patrick Rapold||D Minor||0||7A||130|
|Gluck: Orfeo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits (Arr. for Cello and Piano)||Christoph Willibald Gluck, Edgar Moreau, Pierre-Yves Hodique||D Minor||1||7A||85|
|Melody in F Op. 3 No. 1||Anton Rubinstein, Moura Lympany||F Major||0||7B||77|
|Albeniz: Rumores De La Caleta||Alicia de Larrocha||F Major||0||7B||130|
|Romances (1992 Digital Remaster): G, Op.40 (c1802)||Philharmonia Orchestra, Sir John Pritchard, Yehudi Menuhin||F Major||1||7B||171|
|Liebesfreud||Fritz Kreisler, Julia Krasko, Olga Kondratieva||F Major||1||7B||104|
|Pièces Lyriques, Op. 47 No. 3: Mélodie||Edvard Grieg, Shani Diluka||F Major||0||7B||105|
|2 Melodies, Op. 3: Melody No. 1 in F Major||Anton Rubinstein, Joseph Banowetz||F Major||0||7B||68|
|Flight Of The Bumblebee From The Legend of Tsar Saltan (excerpt) - P.76||Nikolai Rimsky-Korsakov, Yo-Yo Ma;Bobby McFerrin||F Major||1||7B||95|
|Albeniz: Suite Espanola: I. Granada||Alicia de Larrocha||F Major||0||7B||65|
|Le Piccadilly||Aldo Ciccolini||F Major||1||7B||94|
|Beethoven :Piano Sonata No.21 In C Op.53''Waldstein''-Introduzione.Adagio Molto||György Cziffra||F Major||0||7B||45|
|Andante and Variations||Gidon Kremer, Andrei Gavrilov||F Major||1||7B||141|
|2 Melodies, Op. 3: Melodie in F Major||Anton Rubinstein, Balazs Szokolay||F Major||1||7B||77|
|Symphony No. 6: I. Allegro energico, ma non troppo||Gustav Mahler, Berliner Philharmoniker, Kirill Petrenko||F Major||2||7B||120|
This song is track #12 in Dark Academia - The Darkest... by Franz Liszt, György Cziffra Jr., Orchestre de Paris, which has a total of 30 tracks. The duration of this track is 2:26 and was released on May 1, 2021. As of now, this track is currently not as popular as other songs out there. Totentanz, S. 126 doesn't provide as much energy as other songs but, this track can still be danceable to some people.
Totentanz, S. 126 has a BPM of 102. Since this track has a tempo of 102, the tempo markings of this song would be Andante (at a walking pace). Overall, we believe that this song has a slow tempo.
The key of Totentanz, S. 126 is D Minor. In other words, for DJs who are harmonically matchings songs, the Camelot key for this track is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
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