"Vier letzte Lieder, TrV 296: 3. Beim Schlafengehen" by Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann was released on June 11, 2021. Vier letzte Lieder, TrV 296: 3. Beim Schlafengehen is about six minutes long, preciously at 5:40, making this song fairly long compared to other songs. There are a total of 75 in the song's album "Richard Strauss". In this album, this song's track order is #14. In terms of popularity, Vier letzte Lieder, TrV 296: 3. Beim Schlafengehen is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Vier letzte Lieder, TrV 296: 3. Beim Schlafengehen by Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 149 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Bocherini / Arr Grützmacher: Cello Concerto No. 9 in B-Flat Major, G. 482: II. Adagio non troppo (Arr. Grützmacher) | Luigi Boccherini, Jacqueline du Pré, Daniel Barenboim, English Chamber Orchestra | G Minor | 1 | 6A | 86 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act 3: Polonaise | Pyotr Ilyich Tchaikovsky, Staatskapelle Dresden, James Levine | G Major | 3 | 9B | 203 BPM | ||
Tannhauser: Overture | Richard Wagner, Slovak Philharmonic, Michael Halasz | B Major | 0 | 1B | 98 BPM | ||
Elektra, Op. 58: "Die Götter! bist doch selber eine Göttin." - Live At Philharmonie, Berlin / 2014 | Richard Strauss, Evelyn Herlitzius, Waltraud Meier, Romy Petrick, Christiane Hossfeld, Staatskapelle Dresden, Christian Thielemann | B Major | 2 | 1B | 80 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 5 in C Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | C Major | 2 | 8B | 102 BPM | ||
St. Paul's Suite, Op. 29, No. 2: IV. Finale, "The Dargason" | Gustav Holst, English Sinfonia, Howard Griffiths | C Major | 3 | 8B | 80 BPM | ||
Debussy: String Quartet in G Minor, Op. 10, CD 91, L. 85: II. Assez vif et bien rythmé | Claude Debussy, Belcea Quartet | F♯ Major | 0 | 2B | 113 BPM | ||
Symphony No. 6 in B Minor, Op. 74 "Pathétique": II. Allegro con grazia | Pyotr Ilyich Tchaikovsky, Teodor Currentzis, musicAeterna | D Major | 2 | 10B | 66 BPM |
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