Vienna Volksoper Orchestra, Max Schönherr's 'Wiener Blut, Op. 354 (Sangre Vienesa)' came out on February 18, 1966. The duration of Wiener Blut, Op. 354 (Sangre Vienesa) is about 3 minutes long, at 3:09. Based on our data, "Wiener Blut, Op. 354 (Sangre Vienesa)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "Strauss II, Waldteufel: Valses". In this album, this song's track order is #2. In terms of popularity, Wiener Blut, Op. 354 (Sangre Vienesa) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Wiener Blut, Op. 354 (Sangre Vienesa) by Vienna Volksoper Orchestra, Max Schönherr having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
The music key of this track is C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Klavierkonzert Für Klavier Und Orchester Nr. 27 In B-Dur, KV 595: 3. Satz | Alfred Brendel, Vienna Volksoper Orchestra | B♭ Major | 1 | 6B | 77 BPM | ||
Die Macht des Schicksals: La Vergine Degli Angeli | Vienna State Opera Chorus, Vienna Volksoper Orchestra, Martha Heigl | G Major | 1 | 9B | 86 BPM | ||
Die Schlittschuhläufer, Op. 183 (The Ice Skater) | Émile Waldteufel | D Major | 1 | 10B | 96 BPM | ||
Luxury Train Polka, Op. 281 | Johann Strauss II, Vienna Volksoper Orchestra, Peter Falk | E Major | 2 | 12B | 80 BPM | ||
Wacht an der Donau! | Carl Michael Ziehrer, Hans Schadenbauer, Original C.M. Ziehrer Orchestra | D Major | 3 | 10B | 112 BPM | ||
Die Tanzerin, Polka francaise, Op. 227 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Michael Dittrich | E♭ Major | 2 | 5B | 173 BPM | ||
I Capuleti e i Montecchi / Act 1: Eccomi...Oh! quante volte | Vincenzo Bellini, Beverly Sills, Vienna Volksoper Orchestra, Jussi Jalas | E♭ Major | 1 | 5B | 128 BPM | ||
Piano Concerto No. 23 in A Major, K. 488: I. Allegro | Wolfgang Amadeus Mozart, Walter Klien, Vienna Volksoper Orchestra, Peter Maag | A Major | 1 | 11B | 128 BPM | ||
Gräfin Mariza, IEK 4: Komm mit nach Varasdin | Emmerich Kálmán, Donau Philharmonie Wien, Gabrielle Heidelberger, Armin Kolarczyk | F Major | 3 | 7B | 85 BPM | ||
Gold und Silber op. 79 (Walzer) | Großes Wiener Funkorchester | G Major | 3 | 9B | 147 BPM |
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