- BPM
- 64
- Key
- F♯ Major
- Camelot
- 2B
La mer, L. 109: I. De l'aube à midi sur la mer - Claude Debussy, Kurt Masur, New York Philharmonic Information
- Acousticness
- 94%
- Danceability
- 6%
- Energy
- 3%
- Instrumentalness
- 84%
- Liveness
- 6%
- Loudness
- 55%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 1%
- Loudness
- -27.257 dB
Summary
"La mer, L. 109: I. De l'aube à midi sur la mer" by Claude Debussy, Kurt Masur, New York Philharmonic was released on June 5, 2021. Since La mer, L. 109: I. De l'aube à midi sur la mer is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 17 out of 30 in Classical Hits with New York Philharmonic by New York Philharmonic. La mer, L. 109: I. De l'aube à midi sur la mer is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
La mer, L. 109: I. De l'aube à midi sur la mer BPM
The tempo marking of La mer, L. 109: I. De l'aube à midi sur la mer by Claude Debussy, Kurt Masur, New York Philharmonic is Larghetto (rather broadly), since this song has a tempo of 64 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
La mer, L. 109: I. De l'aube à midi sur la mer Key
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | |
 | Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | |
 | Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | |
 | Memories of a Promenade II | Olga Scheps, Flying Steps | C Minor | 0 | 5A | 74 BPM | |
 | Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | |
 | Lied ohne Worte in F-Sharp Minor, Op. 67/2 | Felix Mendelssohn, Khatia Buniatishvili | F♯ Minor | 1 | 11A | 75 BPM | |
 | By the Still Waters, Op. 114 | Amy Beach, Isata Kanneh-Mason | D♭ Major | 0 | 3B | 76 BPM | |
 | Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso | Ludwig van Beethoven, Glenn Gould, Leopold Stokowski, American Symphony Orchestra | B Major | 0 | 1B | 61 BPM | |
 | Reverie | Claude Debussy, François-Joël Thiollier | F Major | 0 | 7B | 68 BPM | |
 | Prelude & Fugue in C Minor (Well-Tempered Clavier, Book I, No. 2), BWV 847: I. Prelude | Johann Sebastian Bach, Víkingur Ólafsson | C Minor | 2 | 5A | 65 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7539799213409424
End: 0.7573680877685547