La mer, L. 109: I. De l'aube à midi sur la mer by Claude Debussy, Kurt Masur, New York Philharmonic

Song Analysis

Audio information that is featured on La mer, L. 109: I. De l'aube à midi sur la mer by Claude Debussy, Kurt Masur, New York Philharmonic.

Acousticness

94%

Energy

3%

Liveness

6%

Speechiness

4%

Danceability

6%

Instrumentalness

84%

Loudness

55%

Valence

4%

Harmonic Matches

Find songs that harmonically matches to La mer, L. 109: I. De l'aube à midi sur la mer by Claude Debussy, Kurt Masur, New York Philharmonic. Listed below are tracks with similar keys and BPM to the track where the track can be harmonically mixed.

Track Artist Key Energy Camelot BPM
Piano Concerto in F-Sharp Minor, Op. 20: II. Andante by Alexander Scriabin, Konstantin Scherbakov, Moscow Symphony Orchestra, Igor GolovschinPiano Concerto in F-Sharp Minor, Op. 20: II. AndanteAlexander Scriabin, Konstantin Scherbakov, Moscow Symphony Orchestra, Igor GolovschinF♯ Major02B62
The Dharma at Big Sur, Pt. II: Sri Moonshine by John Adams, BBC Symphony OrchestraThe Dharma at Big Sur, Pt. II: Sri MoonshineJohn Adams, BBC Symphony OrchestraF♯ Major22B110
Alkan : Grande Sonate Op.33, 'Les quatre âges' : I Vingt ans by Charles-Valentin Alkan, James RhodesAlkan : Grande Sonate Op.33, 'Les quatre âges' : I Vingt ansCharles-Valentin Alkan, James RhodesF♯ Major22B107
Irmelin Prelude by Frederick Delius, Royal Philharmonic Orchestra, Alan BarlowIrmelin PreludeFrederick Delius, Royal Philharmonic Orchestra, Alan BarlowF♯ Major12B60
Messiaen: Vingt Regards sur l'Enfant Jésus: (Le Baiser de l'Enfant Jésus): III. Modéré by Olivier Messiaen, Alison Balsom, Guy Barker Orchestra, Tim RedmondMessiaen: Vingt Regards sur l'Enfant Jésus: (Le Baiser de l'Enfant Jésus): III. ModéréOlivier Messiaen, Alison Balsom, Guy Barker Orchestra, Tim RedmondF♯ Major22B107
Prelude No. 2 by George Gershwin, Jon NakamatsuPrelude No. 2George Gershwin, Jon NakamatsuF♯ Major02B72
Cello Sonata, Op. 8: III. Allegro molto vivace by Zoltán Kodály, János StarkerCello Sonata, Op. 8: III. Allegro molto vivaceZoltán Kodály, János StarkerF♯ Major22B85
Wozzeck / Act 3: Scene 2: Forest Path By A Pool. Wozzeck / Act 3: Scene 2: Forest Path By A Pool. "Dort links geht's in die Stadt"Alban Berg, Hildegard Behrens, Franz Grundheber, Wiener Philharmoniker, Claudio AbbadoF♯ Major02B83
6 Pezzi, P. 44: No. 3. Notturno by Ottorino Respighi, Konstantin Scherbakov6 Pezzi, P. 44: No. 3. NotturnoOttorino Respighi, Konstantin ScherbakovF♯ Major02B87
Noches en los Jardines de España: I. En el Generalife by Manuel de Falla, Mari Kodama, L'Orchestre de la Suisse Romande, Kazuki YamadaNoches en los Jardines de España: I. En el GeneralifeManuel de Falla, Mari Kodama, L'Orchestre de la Suisse Romande, Kazuki YamadaF♯ Major02B103
Fille Aux Cheveux De Lin (Preludes Book 1 No 8), l by Youri EgorovFille Aux Cheveux De Lin (Preludes Book 1 No 8), lYouri EgorovF♯ Major02B127

La mer, L. 109: I. De l'aube à midi sur la mer by Claude Debussy, Kurt Masur, New York Philharmonic Information

This song is track #17 in Classical Hits with New York Philharmonic by Claude Debussy, Kurt Masur, New York Philharmonic, which has a total of 30 tracks. The duration of this track is 9:12 and was released on June 5, 2021. As of now, this track is currently not as popular as other songs out there. Unfortunately, some songs are not meant to be danced and La mer, L. 109: I. De l'aube à midi sur la mer might be one of them, due to it's low energy and danceability.

La mer, L. 109: I. De l'aube à midi sur la mer BPM

La mer, L. 109: I. De l'aube à midi sur la mer has a BPM of 64. Since this track has a tempo of 64, the tempo markings of this song would be Larghetto (rather broadly). Overall, we believe that this song has a slow tempo.

La mer, L. 109: I. De l'aube à midi sur la mer Key

The key of La mer, L. 109: I. De l'aube à midi sur la mer is F♯ Major. In other words, for DJs who are harmonically matchings songs, the Camelot key for this track is 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.

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