Hugo Wolf, Arabella Quartet's 'Serenade in G Major, "Italienische Serenade" (Italian Serenade)' came out on May 12, 2017. Since Serenade in G Major, "Italienische Serenade" (Italian Serenade) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Arabella Quartet's "In the Moment: Short Pieces for String Quartet" album is number 7 out of 13. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Serenade in G Major, "Italienische Serenade" (Italian Serenade)'s popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Serenade in G Major, "Italienische Serenade" (Italian Serenade) by Hugo Wolf, Arabella Quartet to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Strauss, R: Mädchenblumen, Op. 22: No. 2, Mohnblumen | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Songs of Travel: The Infinite Shining Heavens | Ralph Vaughan Williams, Roderick Williams, Iain Burnside | B♭ Major | 0 | 6B | 168 BPM | ||
Mozart: An Chloe, K. 524 | Wolfgang Amadeus Mozart, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Poulenc: Banalités, on Poems by Guillaume Apollinaire, FP 107: II. Hôtel, "Ma chambre a la forme d'une cage" (Très calme et paresseux) | Francis Poulenc, Véronique Gens, Roger Vignoles | D Major | 0 | 10B | 102 BPM | ||
Sechs Lieder, Op. 48: Gruß, Op. 48/1 | Edvard Grieg, Anne Sofie von Otter, Bengt Forsberg | C Minor | 3 | 5A | 133 BPM | ||
Stabat Mater, FP 148: IX. Sancta mater | Francis Poulenc, Ensemble Aedes, Les Siècles, Mathieu Romano | B♭ Minor | 2 | 3A | 87 BPM | ||
Als die alte Mutter, Op. 55, No. 4 | Antonín Dvořák, Jonas Kaufmann, Helmut Deutsch | D Major | 1 | 10B | 65 BPM | ||
Symphony No. 14, Op. 135: II. Malagueña | Dmitri Shostakovich, Asmik Grigorian, Orchestre Philharmonique de Radio France, Mikko Franck | C Major | 2 | 8B | 101 BPM | ||
Berlioz: Les Nuits d'été, Op. 7, H 81b: V. Au cimetière, H 86b | Hector Berlioz, Véronique Gens/Louis Langree/Orchestre de l'Opéra National de Lyon, Louis Langrée, Orchestre De L'Opéra National De Lyon | F Major | 0 | 7B | 88 BPM | ||
12 Romances, Op. 14: No. 11, Spring Waters | Sergei Rachmaninoff, Hein Jung, Grigorios Zamparas | G Major | 0 | 9B | 79 BPM |
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