Leonard Bernstein, Orquestra Sinfônica Do Estado De São Paulo, Marin Alsop made "Mambo (From "West Side Story") [With Concert Ending]" available on February 9, 2018. The duration of Mambo (From "West Side Story") [With Concert Ending] is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Mambo (From "West Side Story") [With Concert Ending]'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 128 in Bernstein: Marin Alsop's Complete Naxos Recordings by Leonard Bernstein, Marin Alsop, Baltimore Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Mambo (From "West Side Story") [With Concert Ending]'s popularity is average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Mambo (From "West Side Story") [With Concert Ending] by Leonard Bernstein, Orquestra Sinfônica Do Estado De São Paulo, Marin Alsop is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
King's Row (Suite) | Charles Gerhardt, RCA Symphony Orchestra | G Major | 3 | 9B | 97 BPM | ||
Appalachian Spring: I. Very Slowly | Aaron Copland, Leonard Bernstein, New York Philharmonic | A Major | 0 | 11B | 78 BPM | ||
Slava! | Leonard Bernstein, Dallas Wind Symphony, Frederick Fennell | C Minor | 3 | 5A | 146 BPM | ||
Blue Shades | Frank Ticheli, Michigan State University Wind Symphony, John Whitwell | E♭ Major | 1 | 5B | 155 BPM | ||
Dance Of The Comedians from "The Bartered Bride" | George Daugherty, Sydney Symphony Orchestra | C Major | 3 | 8B | 149 BPM | ||
Shéhérazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | G Major | 0 | 9B | 103 BPM | ||
West Side Story: Selections for Orchestra | Orlando Pops Orchestra, Andrew Lane | D Major | 2 | 10B | 75 BPM | ||
Carmen Suite No. 1: Séguedille. Allegretto (Act I) | Georges Bizet, Leonard Bernstein, New York Philharmonic | G Major | 2 | 9B | 94 BPM | ||
Trumpet Concerto in E Flat, H.VIIe/1: 3. Allegro | Joseph Haydn, Håkan Hardenberger, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Major | 0 | 4B | 169 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 11. G.R.S. (Allegro di molto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | D Major | 3 | 10B | 85 BPM |
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