Fedora / Act 2: "Amor ti vieta" - Remastered - Umberto Giordano, Andrea Bocelli, Orchestra del Maggio Musicale Fiorentino, Gianandrea Noseda Information

Acousticness: 94%
Danceability: 15%
Energy: 23%
Instrumentalness: 1%
Liveness: 11%
Loudness: 76%
Speechiness: 4%
Valence: 15%
Popularity: 18%
Loudness: -14.416 dB

Summary

"Fedora / Act 2: "Amor ti vieta" - Remastered" by Umberto Giordano, Andrea Bocelli, Orchestra del Maggio Musicale Fiorentino, Gianandrea Noseda was released on January 1, 2005. With Fedora / Act 2: "Amor ti vieta" - Remastered being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 19 in Aria by Andrea Bocelli, Orchestra del Maggio Musicale Fiorentino, Gianandrea Noseda. The popularity of Fedora / Act 2: "Amor ti vieta" - Remastered is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Fedora / Act 2: "Amor ti vieta" - Remastered BPM

The tempo marking of Fedora / Act 2: "Amor ti vieta" - Remastered by Umberto Giordano, Andrea Bocelli, Orchestra del Maggio Musicale Fiorentino, Gianandrea Noseda is Vivace (lively and fast), since this song has a tempo of 172 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.

Fedora / Act 2: "Amor ti vieta" - Remastered Key

This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Dido and Aeneas, Z.626 / Act 3: "Thy hand, Belinda...When I am laid in earth"	Henry Purcell, Jessye Norman, English Chamber Orchestra, Raymond Leppard	G Minor	1	6A	131 BPM
La Cenerentola / Act 2: "Son qui"	Gioachino Rossini, William Matteuzzi, Cecilia Bartoli, Gloria Banditelli, Fernanda Costa, Enzo Dara, Alessandro Corbelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly	E♭ Major	1	5B	122 BPM
Cavalleria rusticana: "Regina coeli, laetare"	Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano	D Major	3	10B	108 BPM
Don Pasquale: Quel guardo il cavaliere	Gaetano Donizetti, Olga Peretyatko, Miguel Gomez-Martinez	B♭ Major	2	6B	95 BPM
Samson et Dalila, Op.47, R. 288 / Act 1: "Printemps qui commence"	Camille Saint-Saëns, Olga Borodina, Orchestra of the Welsh National Opera, Carlo Rizzi	E Major	0	12B	83 BPM
Pelléas et Mélisande, L.88 / Act 3: "Mes longs cheveux descendent"	Claude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio Abbado	A Minor	1	8A	123 BPM
Carmina Burana / 2. In Taberna: "Estuans interius"	Carl Orff, Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen Jochum	A Minor	4	8A	84 BPM
Handel: Serse, HWV 40, Act 1, Scene 1: Arioso. "Ombra mai fù" (Serse)	George Frideric Handel, Jennifer Larmore, Jesús López-Cobos, Orchestre de Chambre de Lausanne	A♭ Major	0	4B	181 BPM
Panis Angelicus	Franco Corelli	A Major	1	11B	66 BPM
Massenet: Manon, Act 3 Tableau 1 Scene 4: "Obéissons, quand leur voix appelle … Profitons bien de la jeunesse" (Manon, Brétigny, Chorus) - Gavotte	Jules Massenet, Angela Gheorghiu, Antonio Pappano, Orchestra of the Théâtre Royal de La Monnaie, Brussels	G Major	1	9B	176 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.8293421268463135

End: 0.8339438438415527