"Stabat Mater dolorosa" by Giovanni Battista Pergolesi, Sonya Yoncheva, Karine Deshayes, Héloïse Gaillard, Violaine Cochard was released on October 7, 2016. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Since Stabat Mater in F Minor, P. 77/Stabat Mater dolorosa only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from France. In terms of popularity, Stabat Mater dolorosa is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stabat Mater dolorosa by Giovanni Battista Pergolesi, Sonya Yoncheva, Karine Deshayes, Héloïse Gaillard, Violaine Cochard having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lamento della ninfa, SV 163: Amor, amor | Claudio Monteverdi, Simone Kermes, Enrico Casazza, La Magnifica Comunità | A Minor | 1 | 8A | 95 BPM | ||
Tosca / Act II: "Vissi d'arte, vissi d'amore" | Giacomo Puccini, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E♭ Major | 1 | 5B | 82 BPM | ||
Ständchen, D. 889 | Franz Schubert, Tanguy de Williencourt, Bruno Philippe | D Major | 0 | 10B | 76 BPM | ||
Massenet: Thaïs, Act 2: "Celle qui vient est plus belle" (La charmeuse, Crobyle, Myrtale) | Jules Massenet, Sabine Devieilhe, Jodie Devos, Marianne Crebassa, Les Siècles, François-Xavier Roth | C Minor | 1 | 5A | 98 BPM | ||
Porpora: Arianna e Teseo: "Mira in cielo" (Alceste) | Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra | E Major | 2 | 12B | 132 BPM | ||
Miserere mei, Z. 109 | Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 66 BPM | ||
Sinfonia to Il Giardino di Amore: II. Largo e piano | Alessandro Scarlatti, Reinhold Friedrich, Budapest Strings, Karoly Botvay | B Minor | 0 | 10A | 80 BPM | ||
Serse / Act 1, HWV 40: "Ombra mai fu" | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | E Major | 2 | 12B | 175 BPM | ||
Diverse bizzarrie sopra la Vecchia Sarabanda ò pur Ciaccona | Nicola Matteis, Gli Incogniti, Amandine Beyer | B Major | 3 | 1B | 79 BPM | ||
Zaïde - Arie: Ruhe Sanft, Mein Holdes Leben | Wolfgang Amadeus Mozart, Sandrine Piau, Freiburger Barockorchester | G Major | 1 | 9B | 119 BPM |
Section: 0.7006931304931641
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