"Tomorrow's Song" by Ólafur Arnalds, Lavinia Meijer was released on November 4, 2016. The duration of Tomorrow's Song is about 3 minutes long, at 3:05. Based on our data, "Tomorrow's Song" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 22 in the song's album "The Glass Effect (The Music of Philip Glass & Others)". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. Based on our statistics, Tomorrow's Song's popularity is average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Tomorrow's Song by Ólafur Arnalds, Lavinia Meijer having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Place Where They Go | Carlos Cipa | E♭ Major | 0 | 5B | 206 BPM | ||
Transience | Edvard Kravchuk | B Minor | 0 | 10A | 87 BPM | ||
Pavane, Op. 50 (arr. H. Busser for cello and piano) | Gabriel Fauré, Henri Büsser, Ina-Esther Joost Ben-Sasson, Allan Sternfield | F♯ Minor | 1 | 11A | 149 BPM | ||
The Return | Library Tapes | E♭ Major | 0 | 5B | 64 BPM | ||
Oltremare | Lavinia Meijer | E Minor | 1 | 9A | 160 BPM | ||
Concertino bianco: 1. Con intenerimento | Georgs Pelēcis, Johannes Fritzsch, Tamara-Anna Cislowska, Tasmanian Symphony Orchestra | C Major | 0 | 8B | 97 BPM | ||
Showing Me | Lavinia Meijer | C Minor | 0 | 5A | 54 BPM | ||
Patterns, Erase - Simeon Walker Rework | Illuminine, Simeon Walker | D♭ Major | 0 | 3B | 79 BPM | ||
dark tree | Carlos Cipa | C Minor | 1 | 5A | 119 BPM | ||
This Reminds You - Satie Remix | Remy Van Kesteren | F Minor | 1 | 4A | 99 BPM |
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